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Our neighbours the Jesus Army – how we lived alongside the cult of Noel Stanton for 25 years in Northampton

As a new BBC documentary airs about the Jesus Army in Northampton, we look at how embedded the church and its followers became in the society of Northamptonshire for decades – updated below.

WHEN we moved house in 2003, me heavily pregnant with our third son, we met the neighbours living in a huge converted dentists’ surgery next door.

There were lots of them living there, from children to pensioners, all living in a communal house with an enormous, well-tended garden. Each Sunday morning, we’d hear them singing hymns – sometimes we’d laugh at the audible contrast of the religious singing with the loud drum & bass blasting out of the hostels at the bottom of the street.

The neighbours at Dayspring, as they’d named the house, seemed welcoming, and mostly quiet – apart from one time when they had their windows smashed overnight. We knew why.

Close-up of an entrance door featuring the word 'DAYSPRING' above in decorative glass, framed by ornate architectural details.

Before we even moved in we knew of them, as both my partner Steve and I, as journalists on the local daily paper, the Northampton Chronicle and Echo, had written numerous stories about them – they were members of the Jesus Army. Most of Northampton knew of them, because it was difficult to live here and not be in contact with the vast organisation that had existed for decades across the town.

The Jesus Army, or JA, seemed to own everything, like a religious multinational corporation, with money and investments everywhere. Big Victorian houses scattered across the area, from Kingsley to Kingsthorpe, Semilong to St James and villages beyond were home to followers. All of whom, we were told, had given up everything, their houses, their salaries, even ownership of their cars and bank accounts, to this huge cult-like organisation. But they looked, if you’ll forgive the clumsy generalisation, like they didn’t have two pennies to rub together. Clothes were second hand, cars were battered, all food was shared.

Yet, the church had huge amounts of money, enough to threaten the newspaper with legal action every time we were about to run a story and asking for their right of reply. If you know how cash-strapped local papers were, you’ll understand why this often made editors reluctant to publish. Their press officer and latterly the safeguarding lead, a man called John Campbell, was the only liaison we had. Noel Stanton, the Jesus Army’s founder, was never available and rumours abounded about his life at New Creation Farm, surrounded by young male acolytes. Campbell had a particular beef about the newspaper calling the Jesus Army a ‘cult’ and regularly threated court action for defamation. But it had all the hallmarks of that definition – a charismatic central leader, extreme devotion to that leader or cause, high pressure recruitment and a tendency to isolate members from the wider world. It all seemed very odd, to outsiders like us, that this organisation seemed to have so much invested in the town without much apparent scrutiny.

Nether Heyford, one older reporter in the newsroom told me, was ‘the village of the damned’ since the Jesus Army had made it another of their bases.  As well as the farm, they owned land in Bugbrooke where the church had started, a camping shop called White and Bishop in Northampton, a builders’ merchants called Skaino Services, a wholefood shop, a vehicle repair company, even a jeans shop – their members were recognisable by the large red plastic crosses they wore around their necks or logoed t-shirts. When Steve and I started work at the newspaper in the 1990s, some of the staff were members of the JA, in the on-site printing press they were visible because of the plastic crosses – including van drivers and newspaper vendors who had apparently handed over their worldly possessions to be part of this communal army of non-conforming Christians.

Exterior view of the Jesus Centre, a white and blue art deco building with a large red cross, flanked by two flags, located in Northampton.

When our kids went to school they became friends with children who lived in Jesus Army houses and they seemed to have a lot more freedom, like being allowed to roam and stay out later than any of ours were, and yet they weren’t allowed to come for tea or stay over. I remember one rainy day going to pick up one of our sons who had been soaked in a downpour with one JA friend, and insisted on putting his friend’s bike in the back of my car and dropping him home because no one from his house was coming to get him. He asked to be dropped a little further up the street than his house on Kettering Road. My son said he didn’t think his family would approve of him being given a lift. He must have been about 11-years-old.  

In the mid-1990s, I had a call on the newsdesk from a teenaged girl who wanted to talk about her life in the Jesus Army. She told me how her parents had given up everything and moved into a Jesus Army house with their children when she was very young, and that she’d hated it, and had tried to leave as soon as she was old enough. She was frightened, and spoke of being followed by members of the church’s authorities and threatened for trying to leave, that she’d never be allowed to see her siblings or parents and that she wouldn’t get a job or survive without them. She had left, and had indeed been isolated, and missed her siblings who had stayed in the organisation. I often wonder what happened to her.

A brightly colored minibus with the text 'Jesus Army' and 'Jesus People Loving People' displayed on its side, parked on a street.
One of the Jesus Army recruiting buses. By Martin Pettitt from Bury St Edmunds, UK – London 11 July 2009, CC BY 2.0, https://commons.wikimedia.org/w/index.php?curid=63424035

There were other stories, all detailed in newspaper clippings, the physical archive of printed stories that the Chron had in rows and rows of filing cabinets, disposed of when the paper moved from its huge Upper Mounts site. There was a story from long before I joined the paper about an incident on a railway line where someone had died, one where someone had died from exposure, another about accusations of sexual abuse.

But still the Jesus Army seemed to be a huge part of the town, eventually buying the enormous Deco Theatre, now known as the Old Savoy. In its heyday it hosted the Beatles and the Rolling Stones, but now was the fellowship’s central Northampton church, even featuring on a documentary with Grayson Perry who created an ornate money box for the National Portrait Gallery after meeting them for a Channel 4 documentary in 2014 called Who Are You? (I watched this again via an academic archive site, as it’s no longer available online and recognised many members, including our neighbours.)

Jon Ronson made an older debate programme with members of the Jesus Army in 1994  which is uncomfortable viewing, even before the church was wound up in 2020, after Stanton’s death in 2009, amid a deluge of accusations about sexual assaults, coercion and abuse.

A group of seven people seated in a cozy, colorful living room setting, engaged in conversation around a central table with drinks.
Jon Ronson’s 1994 discussion with members of the Jesus Army

When we moved next door to one of the many, many Jesus Army houses 21 years ago, we wondered if that’s why our house had been relatively cheap for the time. People were wary of the Jesus Army, but yet here they were, happily and co-operatively living in a welcoming home they had made their own.

Some residents of Dayspring had been living in Semilong for more than a quarter of a century, eating and living communally in this huge house. Some residents had learning difficulties or were elderly or infirm, and were apparently well-cared for by the dayspring ‘family’. The house ‘elder’, was Ralph – women didn’t hold any power in the Jesus Army and the ‘elders’, as far as we could tell, were all male. Ralph was great at fixing things, and we spoke often. He had a wife, and grown-up kids, who were all in the church, but didn’t seem to live at Dayspring, although they visited. We didn’t really understand then that separation of families was not unusual.  

A three-story brick building with large windows, featuring a mix of red and cream brickwork. The structure is situated on a street with an overgrown alleyway adjacent, lined with trees and a wooden fence.
Dayspring today

Ralph told us he was fussy about who got to live at Dayspring, as he didn’t want any residents with drug or alcohol issues – despite the Jesus Army targeting homeless and addicted recruits widely, in its enormous double decker bus. I joked with him that it didn’t seem very Christian to reject people, to which he laughed and said that Dayspring wasn’t like some of the other houses.

A garden area featuring a wooden pergola with some seating, including a wicker chair and several plastic chairs. The wall behind is painted with a colorful mural, and there are various items such as a barbecue and a wooden table. The surrounding plants are overgrown, creating a lush, natural setting.
Part of the Dayspring garden in 2022

There was no doubt that Dayspring became an unofficial source of help for overstretched social services in the area, regularly welcoming in some of Semilong’s transient and sometimes troubled community members, and while people came and went, there were a core of residents who we determined probably would have felt lonely and abandoned without the care of their Jesus Army family. They had summer garden parties, and we chatted to members of the church who had felt compelled to join in times of extreme stress, like the former soldier with PTSD who cut our hedge for free, or the lonely gardener who built a potting shed and grew grapes and runner beans that waved bountifully over our wall each summer.

A garden area with uneven ground covered in fallen bricks and debris, alongside a green shed and overgrown grass.
When the wall came down in 2012

Ralph was the main contact for rebuilding a huge Victorian brick wall that separated our properties, that came down in a huge slab in the night in 2012. For five months our gardens were open to each other as we chipped away, cleaning up bricks and stacking them to be rebuilt. While the residents of Dayspring occasionally helped, they seemed unable to make any decisions without Ralph who gently corralled some into getting involved. We’d had one previous interaction about our properties, when they’d tried to build a new house onto ours, which we’d fought against and won in the planning meeting. There were no hard feelings, as far as we could tell.  

We often popped in, to pick up or pass on parcels that either of us had taken in for the others – and I had always been fascinated by the huge murals painted on the walls of one of the living rooms, one depicting the now disgraced Noel Stanton as a literal fisher of men, pulling a man from the water.

A painting depicting a turbulent sea with a small boat in the foreground, where three figures struggle in the waves, and a large sailing ship appears in the background under a cloudy sky.
One of the Dayspring murals, which appears to feature Noel Stanton as a ‘fisher of men’

When the church was wound up in 2020, after Stanton’s death and hundreds of reports of historic abuse, Dayspring went up for sale, along with other Jesus Army houses across the town, to pay for the millions of pounds for the redress scheme for former members.

Our neighbours, many of whom had lived there for three decades, were devastated, vulnerable and frightened. By summer 2022, they were given notice to leave. One woman who had a disabled daughter and elderly mother, cried as she told me she had no idea where she could go without her daughter being put into care and her mum into a home, as had been suggested by social services.

A vintage fireplace mantel adorned with a variety of decorative items, including candles, a patterned ceramic vase, and a golden goblet, set against a pale green wall.
The vase gifted to Hilary in the Jesus Army house at Dayspring

They had invited me in, one last time, to see the murals on the walls, the packed up boxes and to offer me a striking German-made vase as a gift. Ralph also gave me an enormous metal plant support which stands proudly in my back garden. He was going abroad, furious, he said, at the actions of others who had seen his lifelong faith tested and his ‘family’ dispersed.

Since the residents of Dayspring left, some to other former Jesus Army houses in other parts of the country, some to homes they’d bought with their ‘share’ of the redress scheme, the house has been sold to a developer and has fallen into disrepair, the garden now overgrown and paintwork flaking into the street. It temporarily housed some overseas workers but has lain empty for months, with addicts and dealers the only people who frequent the overgrown alleyway which the Jesus Army kept clear. Some irony here as the Dayspring residents were so opposed to drink and drugs.

There will be much said about the cult of the Jesus Army as a new BBC documentary investigation airs tonight (27/07/25). I can’t be the only resident of Northampton who is conflicted about the demise of the Jesus Army, sad for those vulnerable people who found themselves thrown out by the ‘family’ who many believed saved them, but furious about those who manipulated those same people for their own perversions and to make a hugely rich cult – and it was a cult – who appeared to act without scrutiny by the authorities for so many decades, across the town and beyond.

A large group of people raising their hands and singing in a communal setting, with a man leading them at the front.
Screengrab from the BBC documentary on the Jesus Army and Noel Stanton

Inside the Cult of the Jesus Army is available on iPlayer here

UPDATE: Having now seen the BBC documentary in full, I’m left feeling very sad for those innocent people who committed their lives to the Jesus Fellowship, later the Jesus Army, and the ripping apart of their community. But it had to happen and should have happened sooner.

The level of abuse and coercion found by the formal investigation across years is shocking, 539 members accused of abuse, approximately one in six children sexually abused, only 11 people convicted.

The idea that it wasn’t known about until the death of Stanton is misleading – people knew something wasn’t right. Some members of the church knew, the police knew, the council knew and the press knew, but ‘knowing something wasn’t right’ and being able to prove something beyond reasonable doubt are very different things. Especially as the church leadership was very rich, very controlling, and very litigious. I don’t believe for a moment all of the ‘rotten apples’ have been dealt with by the law, and there are victims whose lives have been wrecked by their involvement in an organisation they believed was good.

However, the sense of loss for those who had little to do with the leadership of the Jesus Army, except for joint evangelical worship, projects to help those in need and shared housing co-operatives, is still keenly felt.

Some still blame victims who made legitimate and brave reports about what was going on, so blind is their faith in an organisation into which they invested decades of their lives. This is unfair and blinkered, but perhaps not surprising. If you have been taught to have total faith in something you feel transcends everything else, its difficult to admit you were so wrong.

John Everett, a former member who made reports to the Chron back in the 1980s, has spent 40 years unearthing the activities of the Jesus Army and features in the BBC documentary. He has written about how the fellowship started as one of many evangelical Christian communes in the 1970s, focused on peace and love and spirituality. As his book synopsis states: “Sadly, utopian experiments rarely stand the test of time, and the JFC proved no exception.”

Some members of the Jesus Army still miss it very much, and one might argue that beyond those brave victims who came forward to reveal the abuse, there were other innocent people whose lives were torn apart by the behaviour of this cult. They lived as families, supported one another and gave help to many vulnerable people, including food, companionship and signposting to help from authorities. One might even argue today there are people living on the streets, and strangled by addictions, for whom the Jesus Army would have been a lifeline, had they still been operating. But despite all of the good things they did, there is no excuse for the bad, however strong your faith.

See the Saints out on a high – team travels to Gloucester for final game of the season as youngsters get a run out

The moment George Furbank hit the deck in Cardiff after that ‘rugby incident’ last weekend, I felt a pang of guilt. High up in our seats, in the Gods of the Principality, it looked bad – and even worse on the playback when we got back home, in the dead of night.

It’s not quite the curse of the commentator – but highlighting his return in a headline and then seeing him hit with yet another bit of bad luck made me feel a little sick (probably not as sick as getting a knee to the head, I’ll admit). Thankfully, he’s OK, although obviously on head injury protocols for the foreseeable.

The press call this week was decidedly quieter than the week before – just us locals really, BBC Graham, Chron Tom and I, hanging about in the cold of the stands as the weather literally turned miserable. We got a hearty wave from Henry Pollock going about his business, but probably glad that he was off media duties for at least one session.

Phil Dowson looked like he needed another press conference like a kick in the proverbials, but indulged us as politely as ever. Yes, they were still smarting and subdued from the loss, but had had a nice meal together at Franklin’s Gardens on Sunday.

Yes, Henry is fine, despite all the punch-up palaver in the post-match (Bordeaux’s prop Jefferson Poirot had just given a two-week ban at the time of writing), a couple of players including James Ramm and Craig Wright were having scans, the physio team were pretty flat out doing end-of-season repairs. How would they feel travelling away for one last game?

“Gloucester have a lot to play for, I think George Skivington’s done an incredible job with how they’ve played this season, particularly in attack,” said Dowson.

“We’ve had a frustrating and fragmented season, it feels like we had lots and lots of injuries, lots of times when we didn’t put our best foot forward, and then we got ourselves a good shot in the final of Europe…but yeah, frustrating more than anything else.”

It’s expected that Saints will field a young, but hungry, team to take on the fifth-placed cherry and whites on Saturday, with the likes of scrum half Jonny Weimann champing at the bit to get another decent game under his belt after winning praise from the boss. With Alex Mitchell, Tom James and the recovering Archie MacParland ahead in the pecking order, is it frustrating for the 19-year-old from Bedford not to play more often?

A young rugby player wearing a green training top with the Northampton Saints logo, sitting in an empty stand at a stadium.
19-year-old scrum-half Jonny Weimann

“It’s a bit of weird one to be fair, after last weekend. But we get our chance to put all the stuff we’ve been working on behind the scenes out on that pitch to hopefully get more game time in the future,” says Weimann.

I wouldn’t say there was any better club to be at than Saints at the moment. They give young boys opportunities to showcase themselves. If they think you’re good enough, you get thrown in.

“I do get butterflies in the stomach before a game, but then you’ve got to go back to all that you’ve been doing in training and stuff. If you treat training like a game, when the opportunity comes, you just think back on all the work you’ve done and it feels like second nature.

For the whole club, a holiday couldn’t come soon enough. Some of the players are off soon to an (undisclosed) exotic location for a team vacation, while the coaches are due to bond over the Northants Steelbacks 20-20 cricket match on Sunday at the County Ground.

Then it’s back to work in early July for planning and prep for next season. Dowson admits the squad will inevitably change again. Surely, I ask, you don’t want to break up the band again?

“No I don’t, but market forces suggest that at some point it will be, and we’ve got to make some very important decisions about who stays…but at the same time, we have the youngest average age in the league and if we can keep that group together, it’s a very talented squad.”

As the season wraps up away from home and the squad gets some well-deserved rest, I’m sure Northampton will hope for nothing but the best summer for all involved at Cinch Franklin’s Gardens, including all of those behind the scenes as well as the players and coaches. Until next season…come on you Saints!

Gloucester V Northampton kicks off at 3.05 on Saturday May 31 at Kingsholm stadium.

Even mighty Northampton from a tiny Oak Apple did grow…

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Happy Oak Apple Day fellow Northamptonians, the Mayor has been on top of All Saints Church hanging an oak wreath round the statue of Charles II.

Just like Punxsutawney, USA, is famous for Groundhog Day – immortalised in the film of the same name featuring a weather-predicting groundhog called Punxsutawney Phil – Northampton is not famous for Oak Apple Day because I bet they don’t even know we do this in Rushden let alone Hollywood.

The point of our day is to thank Charles II for helping with rebuilding Northampton after the Great Fire of 1675 which swept from the Vue Cinema to the Grosvenor Centre, claiming 11 lives and destroying 700 of the 850 buildings which were there at the time. If you believe the cinema and the shopping centre were among the buildings which survived then it is not for me to burst the happy bubble you are living in.

With the wreath placed, there were some military manoeuvres from soldiers who would have looked recognisable to Charles II, a service of thanksgiving and some speeches and sermons. The service inside All Saints was broadcast to a crowd that gathered around the church’s piazza.

The Company of Pikemen and Musketeers
The Company of Pikemen and Musketeers

A Company LNR, Army Cadet Force, Corps of Drums, marched past and HM Lord-Lieutenant of Northamptonshire, James Saunders Watson, took the salute.

He said: “Oak Apple Day is a deeply significant tradition for Northampton and a poignant reminder of the resilience and generosity that shaped this town’s recovery after the Great Fire of 1675.

“I am honoured to take part in this year’s ceremony, which not only commemorates the extraordinary support of King Charles II but also brings our community together to reflect on our rich history. As we mark the 350th anniversary of the Great Fire, it is more important than ever to honour these traditions and pass them on to future generations.”

In the absence of the monarch, the Lord Lieutenant represents the King in the county, like a living postage stamp or Royal seal of approval.

Placing the wreath, high above All Saints piazza, was the Mayor of Northampton, Councillor Jane Birch.

She said: “Oak Apple Day is a historic event which we have honoured for many hundreds of years and marks a significant moment in Northampton’s history – the Great Fire destroyed 700 of the 850 buildings in the town, so without the generosity of Charles II, we would not have the town we see today.

“As a council we believe it is important to keep Northampton’s historic traditions alive and everyone is welcome to come along and be a part of this unique ceremony.

“We are also excited to be partnering with Northampton Town Centre Business Improvement District (BID) and West Northamptonshire Council, along with local cultural and historical groups, to deliver a five-month programme of events that tell the story of the fire and the rebuild that followed.”

I’m impressed that she did not mention the height above the ground that the wreath placing ceremony occurs. If it had been me – well I’m just not sure you could have got me up there.

I have been asking people a question about all this and I have not had a satisfactory answer so far… why is it called Oak Apple Day?

The answer that comes back is that Charles II, fleeing roundhead soldiers in the bad old days, hid in an oak tree before making his escape. After a few years of being ruled by dour East Anglian farmer Oliver Cromwell in 1670 we gave the Stuart family their old jobs back and on May 29 Charles took the throne.

Five years later the wooden walls of Northampton (the town that hosted Cromwell the night before he beat Charles’ dad once and for all) went up in flames and the Earl of Northampton pleaded with the king for help. Charles II was not petty about it at all. He sent 1000 tons of Oak and halved our taxes for seven years, even though we supplied Cromwell’s army with their kinky boots.

Hence every year, ever since, Oak Apple Day happens. But what is the Apple part? Does it mean that Charles is like an apple produced by an oak tree? Like a miracle? Would that be a miracle? Could you graft an apple tree onto an oak and have it produce apples? Or is the apple of the oak, an acorn? I am the kind of person who if I was an acorn I would describe myself as an oak apple. It would start out as a joke but I would be too stubborn to let it go.

The update to the story is that when Windsor Castle caught fire Tony Clarke and John Dickie of the Labour administration on Northampton Borough Council offered the Queen a thousand tons of oak from Delapre to help rebuild, not necessarily expecting to be taken up on the offer. The Queen was delighted to accept so the really beautiful thing is we’re just doing Oak Apple Day out of the kindness of our hearts now.

Look out for events and exhibitions relating to the fire on its 350th anniversary on the BID website

Northampton Town Council has created an app which offers a virtual reality guide to the Great Fire of Northampton on your smartphone. Scan the QR code below to find and download the app.

A QR code linking to a virtual reality guide for the Great Fire of Northampton, designed to be scanned with smartphones.

You can find out more about the Explore Northampton app on the town council website.

Faith in Furbs – Town ready for fan exodus to Cardiff to cheer on Saints in Investec Champions Cup Final

So he’s back. George Furbank, Northampton’s quiet but deadly full-back is starting for Saints in the European final against Bordeaux Bègles today (May 24).

As coach, car and trainloads of Saints fans will be excitedly making their way to the Principality Stadium, or various enterprising pubs and clubs in Northampton showing the game, the team will be focussing, resetting the determination and resilience which has seen them see off all comers on their path to the final. They might have had a bumpy time in the Prem this season, but my word, wouldn’t it be nice to be the best in Europe anyway?

England international 15 Furbank has been out since April, a niggle with the still-recovering arm he broke against Bulls at the end of the year curtailing his season and apparently his chance with the Lions. So it was perhaps a surprise to see him on that team sheet.

A male rugby player wearing a green Saints cap and shirt, sitting at a table, engaged in conversation.
George Furbank

But Phil Dowson and Sam Vesty, Saint’s dynamic coaching duo, who have created a genuinely fun and fizzing base at Cinch Franklins’ Gardens, must have decided after this week’s ‘wait-and-see-how-training-goes’, that it actually went rather well.

Well enough for Furbank, as well as previous injury doubtfuls Curtis Langdon, Alex Coles and James Ramm, all of whom took knocks last week, to be included in the starting line-up, along with meaty winger Ollie Sleightholme, who has been added to the bench after a long layoff.

A young male athlete in a Northampton Saints sports jersey making a peace sign while sitting in a stadium.
Henry Pollock – Saints’ youngster starts All photos by Hilary Scott

Tuesday’s presser – where players and coaches present themselves for interrogation by the local and national media – had a different vibe about it. Some of those reporters (not the NQ, of course) who had expressed doubts about Saints’ progress at the pre-Leinster presser, seemed far more positive, and dare I say hopeful, that this team, the last Premiership club left in the competition since before the Quarters, could bring it home.

“What we talk about is a regular performance on a very special occasion,” Dowson said. “Can we perform in terms of how hard we work, how quickly we get into our shape, how hard we defend, you know, all those sorts of things that are key to the fundamentals of our game?

A player sitting at a table in training gear with a smile, while an image of teammates celebrating is displayed on a wall behind him.
Alex Mitchell starts at scrum half

“Can we do those under massive pressure? We don’t then want to make a huge song and dance about it. There have been huge distractions – one of them is the media, one is the travel, one is a different stadium with a roof, one of them is the expectation of playing in the final. So we want to normalise that but we also want to make sure we enjoy the opportunity.”

Rumours abound about the Principality’s retractable roof, and back in January it was announced the roof would stay shut for two years – creating a high sided, slightly muggy caldron of a neutral setting for the final against Bordeaux.

A man smiling while seated at a table, wearing a green sports jersey with a logo, with a sports-themed background featuring players celebrating.

“It does get quite close, you know, quite clammy,” says Dowson, “it’s a different atmosphere, but when you’re running around and the crowd go nuts, it’s hard to replicate.”

There’s been plenty said elsewhere about how good the French side are, how they have superstars like Damian Penaud and Louis Bielle-Biarrey, Moefana, Maxime Lucu…how they’ve scored more than everyone else and yeah, well, Saints are pretty impressive too. They both play fast, Saints will need to score quickly, and defend hard. But that’s what you’d expect in a final, non? Joue!

Two men in a meeting room; one is drinking water while the other speaks, with a sports match photo in the background.
Staying cool – Saints’ Fraser Dingwall will captain the side in the final

Twenty five years after Northampton last won the European Cup, can they do it again? Thousands of the travelling green, black and gold faithful, hoping to flood Cardiff with colour, plus a fair few more back home in Northampton, will certainly hope so.

Here’s to a great day of rugby. See you there… Come on You Saints!

Northampton v Bordeaux Begles in the Investec Champions Cup Final kicks off at 2.45 Saturday May 24. Coverage on Premier Sports 1, S4C on iPlayer and YouTube.

How the Great Fire of Northampton is being remembered 350 years on

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Northampton is gearing up for a summer of commemorative events to mark the 350th anniversary of the Great Fire of Northampton. Community groups and organisations are being encouraged to get involved to deliver a series of unforgettable experiences for the community. Faiz Hafidh looks at the history of the event and how you can get involved in commemorating it this year.

Northamptonshire Before the Fire: Setting the Scene 

Northampton was a small town of about 700 – 800 households, estimated to be 4,500 people in 1675, with most of the houses being made of timber and thatch. Known for its traditions of being strongly anti-authoritarian and supporting Parliament during the First English Civil War before the Battle of Naseby on June 14, 1645. The town was governed by an Assembly consisting of the Mayor John Agutter and burgesses that operated as a borough council. The Assembly had previously had to overcome other crises, such as the plague, with members having to be aware of fires elsewhere, such as the Great Fire in London.  

There was no organised fire brigade at the time, but leather buckets had been provided in key areas to use in emergencies. However, there was no expertise in firefighting. 

The Fire 

On September 20, 1675, at 4 pm, unusual westerly winds caused sparks from an event taking place in St Mary’s Street to blow the flames towards the centre of town, where the flames spread.  

People initially salvaged their belongings by stacking them against the wooden market cross, but it later got engulfed by the flames which were travelling across the town.  Some survived by taking refuge in the stone-built Welsh House which is now Zapato Lounge. 

The fire devastated large sections of Northampton due to the buildings mainly consisting of timber, destroying places such as the Market Square, Bridge Street, Abington Street, St Giles Street and All Saints Church. The fire claimed the lives of 11 people.  

After the Fire 

The event caused catastrophic losses, with it devastating three quarters of the town, laying waste to businesses, homes and people’s livelihoods. Over 700 families were left homeless. Within a week, the Assembly started planning and making orders for work that was needed immediately, offering aid to those who had suffered from the losses of their homes and possessions, including the provision of wooden sheds. 

Rebuilding the Town 

Rebuilding was the only option for the locals with King Charles II donating to the struggling town and issuing a proclamation in November 1675 allowing the collection of money from across the country. The work created opportunities for the labouring and artisan classes. The Assembly encouraged the use of stone instead of wood. An act of parliament for assisting the “rebuilding the town of Northampton” was passed at the end of 1675. The town raised £25,000 to fund reconstruction. Some of the buildings from the 1670s still exist, such as Sessions House and All Saints, creating the building blocks of the Northampton you know today out of the ashes of disaster. 

How this event is remembered 

In remembrance of the event, Northampton Town Centre BID, Northampton Town council and West Northamptonshire Council are working together to tell the story of the great fire and the rebuilding efforts. On Thursday the May 29, 2025, the commemoration events will be launched alongside the Oak Apple Day parade and service at All Saints Church. They include the annual hanging of an oak wreath in honour of King Charles II who donated 1,000 tonnes of timber to assist in the rebuilding of the town.  

There will be a Mystery Tour on Saturday May 31 themed around the fire. In the Market Square creative space there will be activities asking What Is Northampton Made Of? throughout the summer, from Tuesdays to Saturdays. There is an exhibition at 78 Derngate focusing on the architectural changes to Northampton after the great fire throughout June. Northamptonshire Museum and Art Gallery will also be hosting an exhibition about the fire throughout the summer. At The Deco Theatre there is an event called Northampton Remembers on September 14, when community groups will come together to celebrate the town’s resilience after the disaster. On July 4 10am to 3pm there is a symposium on the fire at University of Northampton.

Northampton College students have been working to create a mural at the Grosvenor Centre in Northampton.

There will be exhibitions at the museum and numerous events based around activities in the Market Square. Elements of the carnival with also reflect the Great Fire commemoration.

“We are working with a multitude of partners and those events that are taking place will be really broad. There will be multiple activities appealing to different audiences,” said Mark Owen of Northampton BID.

For more details download the Explore Northampton app in May or visit discovernorthampton.co.uk 

Why not us? Northampton Saints fans stock up on green for European final clash in Wales after stunning win over favourites Leinster

“It’s been madly busy since the win,” says a smiling sales assistant at the Saints Shop at Cinch Franklins Gardens stadium. “I think because we didn’t open until the Wednesday after the Leinster game, people wanted to get ready for the final straight away.”

And it feels like half the town will be at the 74,000 capacity Principality Stadium in Cardiff on May 24 dressed in the club’s green, black and gold – tickets were like hens’ teeth as supporters flocked to the site’s Investec Champions Cup final booking page – at the time of writing tickets for £85+ were mostly singles (although blocks of tickets seem to get released steadily, so don’t give up on going just yet.)

Trains are booked up, parking in Cardiff city centre is sold out on apps like JustPark, and as for accommodation, well, you’ll be paying through the nose for some of the hotels and B&Bs. Saints’ have put on a load of extra coaches to travel down on the day and again, at the time of writing there were a few seats left.

Fin Smith in the pre-match press conference before the Leinster game Photo by Hilary Scott

While there have been subsequent announcements since the historic 34-37 win – the Lions squad, a new incoming ten in the form of Anthony Belleau, Callum Chick’s signing and the sad departure of Temo – most fans can’t stop thinking about the possibility of Saints gaining another lump of silverware after last year’s Premiership win.

It’s been 25 years since Saints won what was then the Heineken European Cup – in a final at Twickenham against Munster. I can remember as a newspaper reporter at the time, how the town turned green for the weekend, and sales of what was then a daily Chronicle & Echo newspaper were huge, as pages and pages were dedicated to the historic win.

What’s been fascinating to watch this time around is the frustration of many fans, and the players themselves, about how much Saints were written off against Leinster (who, to be fair, have most of the Irish national team and hadn’t dropped a point in the run-up).

At a pre-match press conference at The Gardens just before the Leinster game, the belief in the team was palpable – from the players at least.

The national press, along with locals like BBC Northampton’s Graham McKechnie and Jake Sharp, Tom Vickers from the Chron, me, plus some sports journalism students from the university lined up to hear from players and coaches including Dowson, Smith and Pollock. The questions from the nationals were as you might expect, and largely focused on Leinster’s brilliance, Lions selection and Henry Pollock, or ‘HP’ as he’s called by Phil Dowson. You could perhaps understand the frustration – and to me it was palpable. The Saints were fielding questions about another team’s brilliance when they were hitting their own form at the perfect moment.

Henry Pollock takes questions from the media

Dows first broke the news that George Furbank is struggling to recover from his arm break that might see him out for the summer tours. Then detailed how different Saints are this year compared to last, specifically how Smith’s last 12 months have seen him become the England first choice ten, and that players from last year and those facing Leinster for the first time now had the experience and hunger to do better.

Director of Rugby Phil Dowson takes questions before the Leinster semi-final

Fin Smith’s fielding of questions made me think he was quietly but perhaps furiously processing the inevitable comparison between the two teams, you could see the muscle in his jaw flinching at discussions about how brilliant the opposition fly-half Sam Prendergast is. But let’s not forget, Saints also have plenty of internationals, were coming off the back of two good wins and have a bond that, in my 25 years of following the team, is stronger than people realise.

“I’m definitely trying to be more relaxed [than last year], to try and play with a smile on my face, more than I would have had this time last year. I was probably a bit nervous and a bit tense, one of the things I’m looking forward to is soaking it all in and enjoying it.”

"This year there is zero pressure whatsoever, which we love as a group. Because we firmly believe that on our day we can go and beat anyone. 

“That underdog thing fires you up a bit more, potentially you feel you might not be getting the respect you deserve, we come in and train so hard every day and to be told there’s no chance of us winning – people are going to have their opinions but that frees us up.”

And so it proved. Saints’ win, which has taken then to the final, saw a lot of rugby commentators, podcasters, ex-players and pundits admit they were wrong to see the match as a foregone conclusion.

You could see that starkly in the players’ post match reaction: After his hat-trick of tries, Tommy Freeman said:”…the fight we showed, the squad we got, we knew we could do this. We know if we get our performance on the pitch, we can take anyone on. The bookies said Leinster by 30 points, but here we are!”

Fraser Dingwall speaks to BBC Northampton’s Jake Sharp

Scrum half Alex Mitchell said: “A couple of pundits were saying they’re going to win by 20-30 points and that Saints won’t score a point.”

He added: “We showed up this time and the first 20 minutes, we punched them in the face. They weren’t really expecting that. Credit to the boys, we got the result.”

While Fraser Dingwall, so often the unsung hero of any Saints game, said: “I don’t think I’m surprised. In this group there’s so much connection, so much talent. We know what we’ve got within us.

“We were probably written off before this game and I think we’ve proved a point to a lot of folk around how good we are.”

And if you ever doubt how strong and bonded this team is, just have a look at this reaction to the Lion’s announcement:

This weekend’s team selection against Exeter away sees many players rested – 14 changes have been made for Sunday’s trip to Sandy Park. With the Premiership play-offs out of reach this year, Saints can afford to concentrate on the final against Bordeaux on May 24.

Yes, they’ve got superstars like Bielle-Biarrey, Penaud and Jalibert, but then again…why not us?

See you in Cardiff on May 24…if we can find a parking space. SHOE ARMY!

Provocative, challenging, and funny – Tambo and Bones’ rags to hip-hop riches story at Northampton’s Royal and Derngate is unlike anything you’ve ever seen – so see it while you can

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I’m just going to say it – regardless of whether you see yourself as a theatre goer, you should try and see Tambo and Bones at Northampton’s Royal and Derngate before it moves on to big cities on tour.

It’s funny, jaw-dropping and provocative with a superbly talented cast and crew and unlike anything you’re likely to have seen before. Watching (to the end, more of that later) is stressful and challenging but utterly necessary. I’m baffled as to why there were empty seats, and I hope more people take the chance to catch it here.

Clifford Samuel (Tambo), Daniel Ward (Bones). Photograph © Jane Hobson.

It’s a tricky one to stick in a spoiler-free synopsis: Act one sees two ‘minstrel show’ era comedians Tambo (Clifford Samuel) and Bones (Daniel Ward) in a Waiting for Godot-esque, cartoony setting of the 19th century ‘Jim Crowe’ era for black former slaves, one just wanting to sleep and work out how to change the world, and the other just determined to make money, pleading for ‘quarters’ from a mostly white, slightly shifting in their seats, audience. Tambo and Bones were real characters in 1800s US, and have been brought back to life by writer and poet Dave Harris and director Matthew Xia.

Rappers Clifford Samuel (Tambo), Daniel Ward (Bones), Photograph © Jane Hobson.

Act two sees Tambo and Bones brought into a contemporary world as hugely successful rap artists, and you really get a full gig experience (the Royal’s acoustics and sound system are so much better than I ever realised). Again, Tambo still wants to change the world, call out racism and inequality, while Bones sees making money as his way out – think Kendrick Lamar or Killer Mike versus 50Cent or Lil Wayne. The duo have escaped the mockery and servitude of the 1800s’ vaudeville but the racism and ‘othering’ in society remains. Like the minstrel act, they’re still talking about black pain and inequality – only now they have plenty of dollars.

Clifford Samuel (Tambo), Daniel Ward (Bones). Photograph © Jane Hobson.

Be warned from the start – I’m not sure the R&D’s majority white, middle class theatre faithful will ever have heard as many uses of the N word – here applied to white and black people – in any previous outing.

At the end of the first half, I’ll admit we weren’t sure if there was more to come. A few people around us were also unsure and it was only by seeing others leaving coats in their seats that helped. A few may even have left. But that would be a huge mistake, because the second half is when the even bigger story emerges.

Daniel Ward (Bones) Photograph © Jane Hobson.

We’ve moved on 400 years to a commemoration event for the now historic Tambo and Bones, with the actors as narrators telling what happened to the titular duo. Without spoilers, it ‘aint been good for the white population, but in this new world order there are still oppressed individuals in the form of white robots, on stage as body-popping X-Bot1 and 2, played in a mesmerising way by dancer Jaron Lammens and expert clown Dru Cripps (where’s the seat? WHERE IS IT?)

The denouement is shocking, brutal, and all-too relevant. The audience is left almost frozen in their seats as one of the characters exits shouting “I’m not going to take a bow, I know what I did.”

And that’s it. The audience are told they can stay in their seats or use the Royal’s sensory space if they need time to process what they’ve seen. Some people were clearly moved by the whole experience while others debated over a glass of wine afterwards. Don’t think, however, this is a show to divide us, it’s so relevant in the current climate of global fear and conflict. This is challenging and important work and I’d love to see it sell out the remaining shows in Northampton. Bravo.

Tambo and Bones runs in the Royal until Saturday evening. Tickets from just £15 via the Box Office are still available before heading out on a national tour.

Your chance to see launch of award-winning comedy satire Tambo and Bones at Northampton’s Royal and Derngate in March

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Tambo and Bones are stuck in a minstrel show.

It’s hard to know what’s real when you’re stuck in a minstrel show.

Their escape plan: get out, get rich, get even.

One of the most talked-about cultural events of 2023, Tambo & Bones is an exhilarating, darkly comic and provocative satire on capitalism and Black performance, that explores the commodification of the Black experience through the mediums of minstrelsy, hip-hop and afro-futurism. Spanning 500 years, Tambo and Bones journey from comedy double-act, to hip-hop superstars to activists in a future America, contending with the alarming repercussions of a nation torn apart by race. Harris’ blistering play laughs through our past, blows the roof off our present and imagines an explosive future for our world and for theatre.

Clifford Samuel (2:22 A Ghost Story, McMafia) will play the role of Tambo and Daniel Ward (Cat on A Hot Tin Roof, Rebellion) will reprise his role as Bones.

Tour opens at Northampton Friday March 7 and runs until 16, before heading out on tour.

In this exhilarating, funny and provocative satire, Tambo and Bones journey from comedy double-act, to hip-hop superstars, to activists in a future America, contending with the alarming repercussions of a nation torn apart by race.

Spanning 500 years of history, Tambo & Bones laughs through our past, blows the roof off our present and imagines an explosive future for our world and for theatre.

Tambo & Bones was one of the most talked about cultural events of 2023 when it received its UK premiere at Stratford East. Directed by Matthew Xia, this Made In Northampton co-production opens in Northampton before embarking on its first ever UK tour.

Tambo & Bones takes to the Royal stage in Northampton from Friday 7 to Saturday 15 March. Tickets are priced from £15* and full details of performances times can be found on the theatre’s website www.royalandderngate.co.uk/tambo-and-bones. Tickets can be booked online or by calling Box Office on 01604 624811.

Join the Conversation – Post-Show Discussion with the cast and associate director.
Wednesday 12 March

Don’t miss this exclusive opportunity to engage directly with the creative team behind Tambo & Bones! Join Director Matthew Xia,  Associate Director Dubheasa LanipekunJesse Jones, Artistic Director of Royal & Derngate, and some of the cast for a thought-provoking discussion about the show, its themes, and the bold, satirical exploration of race, identity, and revolution.

Ask your questions, share your thoughts, and dive deeper into the conversation.

This post-show event is free for ticket holders of the evening performance on Wed 12 March. Spaces are limited, so book your tickets now to secure your spot!

AN ACTORS TOURING COMPANY, STRATFORD EAST AND ROYAL & DERNGATE, NORTHAMPTON CO-PRODUCTION IN ASSOCIATION WITH BELGRADE THEATRE, LEEDS PLAYHOUSE AND LIVERPOOL EVERYMAN.

Review: Laughter and tears on Valentine’s night as (the) Woman uncovers messy truths of motherhood

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It was St Valentine’s night, 32 years and four children after our relationship’s first St Valentine’s night, and we were at Northampton’s Royal & Derngate for a preview performance of (the) Woman by Jane Upton.

I know there are people out there who will have a wry smile to themselves about what that says about the way things work between me and My One True Love, and as we settled into our seats even she was having a little chuckle about how far off my ideal St Valentine’s Night a raw new analysis of the beauty and horror of motherhood might be.

Admittedly, when I said “yeah, why not?” to the date, I hadn’t realised Saints were playing so I didn’t fully appreciate how much of an ally I was being but I am both a father and a son. Nobody needs to apologise to me for talking about motherhood. If I cringe or wince at some of the truths that’s just my ugly face doing its thing.

Lizzy Watts by Manuel Harlan

Firstly I’m going to say I really like this play. It flies by in 100 minutes of sweet and sour storytelling, scenes flickering between the farcical and fearful, stepping from humour into horror and out again with the kind of visceral indifference to our tiny minds that parenthood has when it arrives. It is brazenly honest, joyously vulgar, funny, thoughtful and sad. Upton puts you right in the loose-hinged front seat as you follow the progress of M, a playwright on her journey through early motherhood played by Lizzy Watts.

Lizzy Watts and Jamie Rose Monk by Manuel Harlan

Lizzy delivers a central character with fire and vulnerability who stays likable right to the end as the rest of the cast become an Alice in Wonderland style gallery of encounters on the way. Jamie-Rose Monk in particular has an instinctive touch with humour and pathos. The scene where she meets M for coffee is heart rending. Later she conjures up a laugh just by changing her expression.

Cian Barry, Lizzy Watts and Andre Squire by Manuel Harlan

The men are not the villains of the piece although they are far from perfect. The overarching logic of (the) Woman is that the world is not perfect and we will make unlikely and uncomfortable compromises with it every day. Andre Squire and Cian Barry stay likable too as embodiments of hope and disappointment in various guises, treading a skilful line between comical and credible. The really impressive thing about how good they all were is that this show is right at the start of the run. They don’t know yet when lines are landing in that irresistible way and the audience is going to laugh. These thespians really know what they’re doing.

Andre Squire and Lizzy Watts by Manuel Harlan

The production is a team-up between New Perspectives in Nottingham and Royal & Derngate and while it is probably wrong to call it a comedy, humour is right at the heart of this beautifully written play. You are a good way into the action when you understand what is really funny about the opening – a clever way to capture that “we can look back and laugh now” experience that is definitely part of parenting.

Lizzy Watts by Manuel Harlan

A red flag went up for me when M debates the topic of motherhood as a subject for a play with various theatre professionals. Normally I find this kind of ‘writing about writing’ a turn-off but Upton uses it to throw in laughs at the expense of theatre industry and tease us about the autobiographical nature of the piece. How much real Upton is in M’s story is one of the tensions that keeps you locked in all the way through.

If there is a real villain of the piece you might identify it as the concept of ‘the banality of motherhood’. The idea that it is too routine and ordinary to be a fit subject for drama is attacked head on with an absorbing and entertaining play but I don’t even think Upton is fully comfortable with winning the argument like that. The show closes with a hostile review emblazoned across the set that feels more like allowing Upton’s inner demons a final cheeky wink than an attempt to pre-empt criticism.

Lizzy Watts by Manuel Harlan

Is it a worthy subject? As an older parent watching this it rings with a vibration of truth that is unmistakeable. Only a young writer with the trauma and delight fresh in their mind can really get this. Parenting is a long game from any direction you look at it and there are no intervals. If there was a (the) Woman to watch from every era of history it would tell us so much wouldn’t it? What we do with the opportunity to enjoy our version of it is up to us.

The show goes on tour after previewing in Northampton. Tour details are available on the Royal & Derngate website.