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A game that meant something more than the scoreline

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There was little chance of rescuing the Premiership Cup campaign when a young Saints side welcomed Newcastle Falcons to Franklin’s Gardens last night.

However, hot on the heels of a thrilling cup victory against Saracens came this thrilling victory over Newcastle, and even though it wasn’t enough to progress in the cup it still added plenty of value to the life of Saints fans.

Match report here

It was a reminder of what it feels like to have a strong Wanderers side powering the club forwards. It was a chance for James Grayson to step up as captain. It was a moment to reflect on how different the season might have felt if these wins had come at the start of the cup campaign instead of the end.

Pictures by Dave Ikin

It’s another thriller but this time Saints are the winners

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Sometimes they are brilliant, sometimes they are crazy. That’s young people for you. The celebration of Alex Waller’s 231st appearance (a Premiership record) for Saints underlined it: there aren’t that many wizened old campaigners in green, black and gold.

There are, however, a few wizened young campaigners and Dave Ribbans on 100 games for Saints proved it with a Player of the Match performance.

Saints match report is here

The feel of the game was not that different to the past three performances. Scrums and lineouts were pretty reliable, Alex Mitchell was a handful, all the back line were a handful and yet the job was never completely done until the final whistle.

Dave Ikin was on hand to capture the action.

Risky rugby? I worry that we are too conservative – Chris Boyd

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Despite a run of three agonising last gasp defeats Northampton Saints Director of Rugby Chris Boyd is not wavering in his commitment to running rugby.

When asked if he was tempted to call on the players to adopt a “less risky” style in advance of a home clash with Wasps at the weekend he defiantly doubled down on his belief in an approach that is earning Saints more admirers than wins at the moment.

“I worry that we are too conservative in the back third of the field and don’t take enough opportunity that is presented to us. We’re now moving the game through the middle third of the field quite nicely, we’ve got to get better at both ends of the field and it doesn’t necessarily mean playing less. It might mean playing more,” he said, reflecting on a performance against Gloucester that while dazzling in attack also included some “catastrophic” defensive slip-ups.

This is not a ‘head in the sand’ response. He is asking us to reconsider what we mean by ‘risky rugby’.

“It depends what you think risk is. The try that Tom Collins ultimately scored started from our five metre line but came from three or four passes into space. If you’ve got space you’ve got to use it and I don’t consider that risky play.

“If you ask me what went wrong, we dealt with their maul for the first sixty minutes and then failed to do so at the end. If we are going to be critical of ourselves they scored five tries and only required two rucks to score five tries. We made some catastrophic defensive mistakes. We got a line out horribly wrong at the start of the game.”

It’s no consolation to the staff and players at Saints that it is a fascinating coaching problem. They are a team of master safe-crackers who forget to lock their own front door, or the side gate… or the living room window…

No-one is hurting more than the players after these cruel twists of fate and you need more in your coaching manual than a commandment not to make mistakes. So what do you say?

“When you’ve got a philosophy and an approach to a game the most important thing is that everyone is still rowing the boat in the same direction together. When you have had three or four losses in a row like we have you have got to make sure to check in that: are we still aligned, do we still believe in what we are doing, do we still trust each other to deliver a lot of the parts that are going on? What are the issues, how are we going to deal with them?

“We have actually had a couple of very good conversations in the past couple of weeks around that. To the credit of the players they are incredibly frustrated and disappointed but there is no lip on the ground. You have just got to roll your sleeves up and do it. Everybody wants to win every game don’t they?”

Lock Alex Coles who has put in some dynamic performances at six confirmed how the players are feeling: “It was pretty painful to be honest. We’ve had a few sleepless nights thinking about it. After the game we were just trying to get our heads around it. Boydy said we have got to stay together as a team, you don’t solve these problems by infighting and going at each other. We need to have honest conversations and everyone is accountable. We need to get together and find solutions. The fans aren’t happy about it and neither are we. We want to put some smiles back on faces at the Gardens.”

Saints play Wasps on Sunday at Franklin’s Gardens.

Sign up for Cycle4Cynthia as it returns to Althorp in September

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Cycle4Cynthia, the flagship fundraising event organised by Cynthia Spencer Hospice Charity to raise money to support the care provided by the hospice, will take place at the Althorp Estate on Sunday 25th September 2022 with organisers promising lots of exciting new additions to the event.

Event organiser Sarah Denston explained some of the changes that have been made to offer more choice to riders including a new route: “We’ve planned to add a 10 mile route for some time as we know many of our younger participants have wanted to ride this distance and we’re very pleased that our hosts, Althorp have helped make this possible. 

“For those tired, aching legs we’ll be providing a massage station which we’re sure will be very welcome to our riders when they’ve finished their routes while for the little ones we’ll have a bouncy castle, face painting stall and other attractions so families can make even more memories of their day.”

The 2021 event, the first live event the hospice charity had been able to hold since the start of the pandemic, raised £40,043 for the hospice. ‘Team Rawsthorne’, who raised £1,937 in memory of Tom Rawsthorne, who passed away in 2020 after a long battle with cancer, come out as the top fundraising team.

Tom’s brother, Sam said: “Tom and I originally did the Cycle4Cynthia ride together in 2013 when he had first beaten his cancer but unfortunately it came back again and Tom sadly passed away in March 2020, after receiving care from Cynthia Spencer’s hospice@home team.  It’s incredible what the nurses do, it’s so important at that time, especially near the end as it’s very stressful for families so making sure someone’s at ease, it’s massive, it really is.

“The hospice is something everyone in Northampton can relate to and connect to so we didn’t have to do a lot of banging on doors to raise money! We shared our fundraising page on social media and with help from friends we spread the word to reach a great fundraising total. A team of us representing Tom will definitely be signing up for this year’s Cycle4Cynthia too!” 

Anita Frith, director of income generation explains why it’s so important that as many people as possible get on their bikes for the hospice this year: “The last two years have been extremely challenging for our charity to ensure we are still able to support the amazing care that the hospice provides to the people of Northamptonshire. We’re still recovering from the effects of the pandemic and what we really need is the support of the people of Northamptonshire to help the hospice, just like the hospice has been there for them and their families over the years.

“We’ve thrown down a challenge to everyone taking part to try and raise at least £250 each and if everybody manages this, the total fundraising will make a huge impact on our annual fundraising for the hospice.”
Registration is open now and riders can grab their places by visiting https://www.cynthiaspencer.org.uk/event/C4C2022 or by contacting the fundraising team on 01604 973340 or fundraising@cynthiaspencer.co.uk

REVIEW – An Improbable Musical, Royal and Derngate, Northampton

Hilary Scott
Hilary Scott

Reviewing theatre for 28 years, with no time off for good behaviour…

I took a secret weapon to watch An Improbable Musical at Northampton’s Royal and Derngate: my 14-year-old, musicals-obsessed daughter. Not just for her company and expertise, but because she’d already seen it the evening before with her friends.

The promise of this improvised musical is that you don’t see the same show throughout the run. I admit it: I was trying to catch them out. More fool me. It was entirely improvised on the spot. The Improbable company are masters at their craft.

Ruth Bratt, whose little side-eyes to the audience and vocal gymnastics are brilliant

The QUEEN of improv, the silky-voiced Josie Lawrence, doyen of Whose Line is it Anyway? (which anyone alive in the 1980s will recall as must-watch comedy TV) is at the helm, with People Just Do Nothing’s Ruth Bratt stealing the show on our visit. Add in some incredible onstage musicians (I was mesmerised by Max Gittings’ giant flute (not a euphemism) and other unfamiliar instruments) and you’ve got a whole heap of talent right there, making stuff up for ‘the commune’. (That was the audience).

The set up goes something like this: (I did worry about it starting off a bit artsy-uni sketch show. Subsequently unfounded).

They ask the audience for some shouted-out ideas – a place (on our night, a lake, “with water in it”). Something about “a house on fire, but this time it wasn’t my fault”. (“But they could be ‘plants’, secreted in the audience so they know what’s coming”, I whispered to daughter. Not so, she says, seeing as one of her mates had done the random shouting the night before. “Shush mum”.)

They all scribbled it down in notebooks, including the musicians, and then they’re off, with a tower of steps and rooms, a load of props (a scary mask at the back was looking at me all night, but stayed where it was) and some hilarious and often credulously-rhymed lyrics.

Adam Courting and Niall Ashdown

Thankfully (I’m not great at musicals that sing everything), it’s not ALL sung – the actors come up with a series of sub-stories, sometimes connected, sometimes a bit random, but almost always laugh-out-loud funny. They weave a story together with songs and the occasional mickey-take of themselves, each other or the audience. It’s beautifully clever and the relationship between the cast is endearing – even with the director and lead puppeteer out through Covid. You feel part of it without the mortifying idea of having to say anything.

There’s a couple of shows left in Northampton – it’s a partnership with the ever-innovative Royal & Derngate who we are lucky to have in the town – and it’s a great night out I’d heartily recommend. There’s no interval – it’s an 80-90 minute show so have a wee beforehand because you’ll definitely be laughing!

An Improbable Musical runs until Saturday March 5 with a matinee on the last day as well as evening performance. Book asap via the online box office or call 01604 624811

Bob along to Bedknobs and Broomsticks to see magic made real

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It says something about the surreal state of the world that Disney’s Bedknobs and Broomsticks felt chillingly on point at Northampton Royal & Derngate last night.

The show opens with a clever montage of scenes from the Blitz in wartime London, nimbly describing how the Rawlins children lose their parents and home in an air-raid and are evacuated to the village of Pepperingeye where further adventures await.

A year ago the wartime setting was a call back to a distant time of broken buildings, displaced families and the looming shadow of enemy invaders reaching out of propaganda posters.

In March 2022 such scenes constitute the actuality of news from Eastern Europe and much like Charlie, Carrie and Paul we find ourselves aboard an unlikely vehicle to witness the timeless battle between fantasy and reality play out once again.

Credit: Johan Persson

Diane Pilkington slots comfortably into the role of Eglantine Price – an aspiring witch on a mission to learn a spell that could turn the tide of the war – who finds herself custodian of the bewildered orphans.

She delivers a perfectly balanced mix of absent minded professor and super nanny authority and her clownishly incompetent love interest Emelius Browne played by Charles Brunton seems to be batting well above his average in this match.

The songs for the original musical, like Mary Poppins and Chitty Chitty Bang Bang, were written by Richard and Robert Sherman. I didn’t know this show as well as those but the Sherman style is so distinctive I strangely felt like I did, almost to the point where I could sing along with songs I was hearing for the first time.

The most famous scene from the Disney movie is the animated underwater journey to the tune ‘Bobbing Along’ and it is one of the showpiece moments of this production. The theatrical craft on display as big screen magic is recreated using real world performance skills is genuinely awe inspiring. It also fits beautifully with the fantasy versus reality theme of the overall story. Set and illusion designer Jamie Harrison has really earned his corn.

The one small bump in the road is that I found it hard to buy into the idea of Charlie Rawlins being a 13-year-old. Conor O’Hara as Charlie goes full Tommy Steele and fizzes with musical theatre energy which you wouldn’t want to lose, so maybe the simplest thing is to avoid mentioning the age he is supposed to be.

Credit: Johan Persson

All the performances are strong but I suspect you will come away feeling that the theatrical skills of the entire group are the real stardust on show in this production, delivering magical action and spectacle with a wink and a twinkle in the eye.

One of my favourite moments of the whole thing was during one of the motorbike scenes. It was the way the performer playing the front wheel smiled like a receptionist at the audience as he executed the role. It was a look that said: If you believe it’s a motorbike, and I believe it’s a motorbike, we’re all good aren’t we? And that is mining the essence of magic right there.

The show is touring and is in Northampton until Saturday.

Royal & Derngate tickets

It felt like we were watching a great Saints victory right up until Exeter won it

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Oops they did it again. They played with our hearts. At times in the home defeat to Exeter it felt that Saints were going to win. Sunshine splashed down on Franklin’s Gardens. We were more than one score ahead.

There was an eight playing at eight, a 15 at 15 and a ten at ten. And the lock and hooker playing at flanker were smashing it. It was another tantalising break in the weather but it was not yet spring.

Dave Ikin took the pictures:

Dave Ikin’s photography from Saints’ agonising home defeat to Sale

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I must admit I wallowed in the misery of the fan forums after Saints got well beaten at Welford Road and entertained the ‘wisdom’ of the mob for a few days.

It was a bit like slaking my thirst with ashes after the derby defeat and it was full of the usual Saints aren’t this or Saints aren’t that.

The pre-game expectation for Sale among a lot of the commenters was that Saints were going to get bullied

Gripped by the Cobblers: Why the Supporter’s Trust is right to hold out for a sporting legacy with punch at Sixfields

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The late, great, Brian Lomax is revered at AFC Wimbledon, the club born out of the ashes of Wimbledon FC, now back at home Plough Lane in a purpose-built stadium, part funded by the fans.

He paid for postage stamps so that the nascent club could send letters to do all the paperwork to get back on their feet and the Wimbledon fans have never forgotten it. Nor down at Exeter where Lomax helped rouse the Grecians out of catastrophe.

Of course, Lomax has set up the first ever supporters’ trust in 1992 at the Cobblers, helping with the finishing touches to the Sixfields Community Stadium on the ex-Council tip.

There were and are no separate staircases at Sixfields for the board of directors of the football club, each game win, lose or draw, they have to troop, with the regular fans to their seats in the West Stand. 

This was a deliberate design feature; no-one is better than the everyday fan.

And yet, as Lomax was ailing from lung cancer in 2015/16, his life work was torn up by a club under the Cardoza family. The hard fought and pioneering trust supporters’ rep places on the club board were removed by hook or by crook, the award-winning disabled facilities in the compact East Stand (designed for simple expansion) ruined. The athletics track, part of a simple, yet at the same time wider vision for sporting use for the people of Northampton, well on the way to looking as it does now, as a scene from the TV show Chernobyl.

Those communal staircases gone in Cardoza’s East Stand carbuncle, a monument to football’s economic dysfunction, with private boards of directors able to squirrel away in closed quarters, away from the fans that tread the cobble stones of the market square.

Cardoza’s design for the East Stand was derided, changing on an almost weekly basis from a decent vision with significantly increased capacity, sleek executive boxes and a conference centre, then to a limited-view insult with seats blocked by walls and finally, after much rigmarole and financial and emotional turmoil, to its current version with that roof at the awkward angle so as not to block out the rain and incoming glass boxes where fans shield their eyes from the sun.

To their credit, the club’s owners, David Bower and Kelvin Thomas have done their best to “tart it up” in the local vernacular, making the best of a bad lot. Yet, as the documents around the upcoming meeting to verify a land deal to pay for the East Stand’s completion have shown, is likely to only increase the capacity of Sixfields by around 300 seats at best, with the £10.25 million missing loans and £3 million additional build cost making the project come in at around £46,666 per seat. That’s without the policing bill and the total the council have spent on trying to find their dough.

You can stick new tyres on a jalopy, install a new stereo and repaint it but it’s still going to creak.

Plenty of the key detail on the proposed land deal is not in the public domain. What precisely is going to be built on the huge acreage of land which extends beyond the East Stand and over that athletics track? What percentage of the club’s hefty debt to its owners, revealed by football finance expert Kieran Maguire to be around £5.5 million in 2020, before the pandemic hit, will be wiped out by any green-lit land deal between Northampton Town and West Northants council? What real turnover benefit is the East Stand going to bring in competition with the huge stadium projects planned at the similarly sized Peterborough, Coventry, Luton and Oxford?

For a club with the Cobblers’ financial history, this lack of public detail before the big Council meeting on Monday 21 February, is unideal but just part of the landscape from which supporters and the townsfolk have to try and piece together informed decisions.

Any yet, that much mocked Cardoza-instituted East Stand now seems palatable now there is the potential to draw a line under the whole damned thing. 

Leading experts in stadium projects and land deals such as ex-manager Chris Wilder and the owner of the In Town Automotive garage have been assembled in a PR piece by the club to lay down why it’s such a good deal for the club.

The supporters’ trust, 30 years-old this year has fought on, somewhat tone deaf at times, organising an Asset Of Community (ACV) value status on the athletics track, way before Thomas and Bower were on the scene.

The club’s owners, somewhat strangely argue against the athletics track as having community value, despite the arduous Council process literally deciding that it was.

Andy Roberts, the Trust Chair, on the WALOC podcast, calmly laid out the Trust’s insistence that the ACV land should be kept in full for football club and community benefit, befitting the original stadium plans paid for by the sale of the municipal bus company.

It is hard not to agree with the trust line, with the reputed four-acre athletics track site, remediated, unlike much of the land beyond on the old rubbish dump, being a blank canvas for various schemes to create a true sporting and community legacy out of the sorry Sixfields mess.

The town’s fantastic Team Shoe Box boxing gym, home to the talented Kieron Conway and Eithan James, are absolutely crying out for training and show space. The gym showed its support for the now stalled New Hotel End project recently, seeing the project’s stage within a stand as perfect for live weigh-ins.

There is the chance to use the whole athletics track area to build a multi-use indoor arena for Cobblers’ training plus boxing practice and shows on the site, a once in a lifetime opportunity that will be gone when a logistics warehouse or whatever else is built over the athletics track.

A sporting complex with punch, that brings together the community benefit and sporting prestige of the two great sports of boxing and football, a simple enabling development and the requisite grants would pay for it. It wouldn’t be hard to attract a hotel to such a sporting park, accommodating visiting fighters, football fans and business people, such is the proximity to the M1 and providing an income to the boxing and football operations.

Given that the football club’s owners have recently shown leeway by offering the freehold of part of the athletics track to the club as part of the deal, what is stopping them from going the whole hog and organising that last-half of the much-debated land for direct community and club use?

This would offset the unideal East Stand design, provide a fitting sporting legacy to the proud town of Northampton and, like a cutman in the ring, stem the bleed from the Cardoza induced wound which has clouded the view for too long.