Stripped back history play brings Shakepeare’s Globe and Headlong to Northampton stage
Like this pared back, stark adaptation of Shakespeare’s Henry V, the audience was much reduced on Wednesday’s Press Night, due to heavy snowfall.
But those of us who made it were tucked warmly into the Royal, watching the 20-something, newly-anointed King, bruised by his dying father’s distain, wreak havoc across France after being ‘dissed’ – if you will – by the delivery of a tennis ball.
Enraged by Charles VI of France’s apparent slight and determined to become a warrior king and claim France as his birth right, as his dead father had done, Henry invades, and begins a bloody campaign that culminates in the battle of Agincourt. (Read up on your history if you didn’t do Henry V at school, as it gets pretty complicated, with references to English subjugation of the Welsh, who ultimately provided the 500 longbow archers who laid waste to the French bogged down in the muddy battle.)
Georgia Frost in Henry V. Credit Ant Robling
This lauded production, a collaboration between Shakespeare’s Globe, Headlong and Royal & Derngate, started its creative life at the Sam Wanamaker Playhouse, essentially the indoors bit of the Globe, which seemed to use chandeliers and candlelight to give the production a switch from light to dark. On the Royal stage, the set is starker, with rows of green chairs facing each other to indicate the French and English, and a ruched green curtain drop alternating with an impressive and effective distressed mirrored backdrop. In Northampton, the chandeliers looked more like suspended light-sabres, which didn’t have quite the same effect.
Oliver Johnstone as Henry V . Photos by Ant Robling
The company of ten actors share all the parts, and while this is a very ‘male’ play (and on International Women’s Day I did feel a bit exhausted by the angry, entitled violence of it all), the mixed gender cast do a sterling job of keeping the dialogue comprehensible.
However, the adaptation has them in quite possibly the worst collection of ill-fitting chino trousers I’ve ever seen outside Twickenham on a match day.
OK, so there’s no cliched armour, swords or period frocks, but the contemporary clothing just made it more confusing to keep up with the character switches – apart from shrugging off the odd shirt to reveal white ‘wife-beater’ vests during the fighty bits.
Oliver Johnstone and Dharmesh Patel in Henry V. Credit Ant Robling (5)
Strong among the performances were Georgia Frost (Nym/Rambures/Williams) who brought a fizz of energy to every scene, James Cooney’s subtle side-eyeing which could be detected even several rows back, Joshua Griffin’s frustrated and almost controlled Fluellen and Jon Furlong’s impressive pre-interval death (no spoilers). Emotional performances from Helen Lymbery (Henry IV/Uncle Exeter) and Oliver Johnstone as the titular King must be exhausting.
Oliver Johnstone as Henry and Joséphine Callies as Katherine/Boy. Credit Ant Robling (1)
It’s a lot of story to cram into a couple of hours, and I kind of missed the context of the Pistol/Bardolph/Nym spoils of war link. And I’d have like to have lingered a little longer over the forced marriage/courtly love scene, where the teenaged Princess Katherine (of Valois, she’s buried in Westminster Abbey btw, and would go on to produce the Tudor line) is offloaded by her parents to the King who just slaughtered their citizens.
I’d be surprised if the schools haven’t snapped up the matinees because this production is a total shoo-in for an English or drama essay in future studies, especially with the sharp (and I meant total switcheroo) final scene, which slams us into a present-day immigrant citizenship exam. The roar of laughter from the audience confirmed the direct hit, although Shakespeare purists may not agree.
Henry V runs at Royal & Derngate until Saturday March 18, box office 01604 624811
The performances on Wed 15 March 7.30pmwill be Audio Described and will be preceded by a pre-show Touch Tour. All patrons attending the tour should meet at the Box Office at 6.30pm, where a member of staff will then take them into the auditorium. Please email boxoffice@royalandderngate.co.uk to book the Touch Tour.
The performance on Thu 16 March 7.30pm will be performed with integrated British Sign Language (BSL) interpretation
Historic campus making way for housing after the main campus moved to Waterside in 2018
It’s difficult to count the number of students who must have passed through the doors of Avenue Campus in Northampton, now under demolition to make way for a housing estate.
From its official opening by the late Queen’s mother and father, the then Duke and Duchess of York in 1937, Avenue Campus in St George’s Avenue has had several names and purposes relating to education. From the purpose-built Northampton Technical College in 1924 through incarnations including the Central College of Technology, Northampton School of Art, Nene College, University College Northampton and eventually University of Northampton. Eight decades of students and staff have worked and studied on the site (and no, it was never a mental hospital as the rumours had it.)
Duke and Duchess of York (later King George VI and the Queen Mother
According to the University archives, On March 11, 1867, a free public lecture on Science and Art was held by the Museum Committee in the town hall (maybe the Guildhall, which had just been built in the same year?) It was so popular evening classes in painting and drawing started in October.
Art evening classes continued and expanded, closely linked to science classes, until in 1894 the Northampton and County Modern and Technical School was established.
The (ugly) central Maidwell building was reception, with the library above and classrooms below – Image StJaBe via wikimedia commons
In 1907 the evening class organisation became the Northampton and County Technical and Art School, with the Art School functioning separately. A further name change occurred the following year, to Northampton and County Technical School and School of Art.
One source states that the Northampton School of Art was re-designated the Northampton School of Arts and Crafts in 1917, but there are no documents in the archive from this date. However, two documents contained in the archive dated 1934 and 1937 use this form of name for the Northampton Art School.
The School of Art continued to grow, working in overcrowded rented accommodation, until new purpose-built premises were opened in 1937 next to the Technical College on St George’s Avenue.
In 1954, the Central College of Further Education was established, to include both the School of Art and the College of Technology. The School of Art appears to have continued to function as a separate college. It is likely that relevant papers were destroyed by a fire in a County Council records store.
The former staff parking entrance next to Newton building (now Bosworth College). At the back is Malcolm Arnold prep school on the site of the former Trinity Upper School swimming pool
In 1972 the School became known as the College of Art and 1975 saw the establishment of a college of higher education, Nene College. The Northampton colleges of Education and Technology along with the School of Art were amalgamated to form this new higher education college.
The Walgrave and Isham buildings, along with the old SU, have been demolished. MB5, my old classroom, is just about still standing at the bottom on the right
After many years as a journalist, I joined the university as a part-time lecturer on the journalism degree in 2009 and quite liked the building. My former classroom/newsroom was called MB5, later renamed the Matthew Engel room, down the hill opposite the rather useful cashpoint at the base of the Bassett Lowke halls of residence. It had a beautiful parquet floor and students in Year 1 could pretty much roll out of bed and into my lectures, but often still managed to be late. Many times the fire alarm would go off and see students having to stand on the Racecourse in their pajamas at all times of the day, waiting to be allowed back to bed. The radio studio on the same floor was named after Jo Whiley.
The old MB5 newsroomClive Lewis MP came to visit, having worked with me in the Chron days at Upper Mounts
I have plenty of good memories of the place, but also of the people. My first mentors were the now retired Richard Hollingum and Ted Sullivan. Avenue had plenty of great guest speakers, from Chris Mason, now BBC political editor, to the late Faye Weldon and comedian Stewart Lee.
The offices for staff were up the stairs, but due to the layout of the building, on a steep slope, they were really on the ground floor. I shared an office with the journalism and media staff, and it was a welcome hideaway where we could support each other, get marking done in peace and swear loudly when necessary.
One area, tucked away behind a large weeping fig, disposed of by the authorities in the move to the new campus, was a small sofa and this became ‘Hilary’s crying corner,’ not for me, but for students, when the pressures of academia all got a bit too much. We were lucky to have our own space and students – although they may not felt so at the time, had a brilliant location for studying – even the day I sent them out to report on a solar eclipse with paper plates.
Our media and journalism office during the clear-out before the move in 2018
Despite its whiff of furniture polish, mixed with multitude different cheap perfumes and body odour, I liked the place. Navigating it often felt like going in circles, due to its multilevel design on the only hill in the area. It had brass handrails and tiled walls in the old sections, some of which will stay – with the two ‘end’ buildings saved from destruction due to their listed building status, along with the old caretakers’ house/security building, Quinton Lodge.
It’s the second building I’ve worked in that I’ve watched be demolished, as the old Chronicle & Echo Building at Upper Mounts is now an Aldi…
A sunny, fun-filled day for all showed Northampton at its best #NorthamptonPride22
Northampton did itself proud this weekend with a massive turnout to support the Pride march event.
With a march starting at 11am and a huge range of stalls and performers, Pride was well-organised and attended, with the sun coming out just in time for the Market Square music performances.
Sponsored by Northampton-based Travis Perkins, the event is organised by Northampton’s LGBTQ and Allies Forum and aims to highlight the LGBTQ+ community, businesses and support organisations.
Lots of families were at Pride, including Chanice Taylor, Kerry Marriot, Dominic Ross Whithey with Imogen and Harlie Pic by Hilary Scott
Musicians including Ffsytho featuring Mark Ski, Joe Payne, drag acts, a brilliant Lady Gaga tribute called Radio Gaga and stilt walkers entertained crowds on the Market Square.
All over the Market Square stalls were busy and there were some fabulous outfits as the town came together to support Pride and the LGBTQ+ community. Staff from Northants Fire and Rescue, East Midlands Ambulance Service, the Police, WNC and Northampton Guardians had vehicles emblazoned with the Pride Rainbow while there was a roaring trade in flags. See our photo gallery below and video walkthrough.
A walk through Northampton Pride 2022 on the Market Square
Review: Hairspray. Royal and Derngate, Northampton (opening night January 31)
I had never seen Hairspray before. Yes, I know, I know. It’s one of the most popular musicals in the world, an award-winning tour de force combining fantastic music and storytelling and genuine social commentary that, although set in 1962 Baltimore, certainly still resonates today.
But musicals…? You either love ‘em or hate ‘em, right?
“Just admit that you loved it Mum and write ‘It was great’ over and over until you hit the word count,” suggested my 13-year-old, musical-theatre fan daughter.
“And don’t call me a fan, I’m not a fanatic.” (This is what you get bringing up four kids with two journalist parents). “And don’t call me a kid…”
photography by Mark Senior
OK, so it was great. Really great. You don’t need to go to the West End when the West End comes to Northampton. I was blown away by the skill of the huge cast – more than 20 on stage for complex yet seamless dance sequences, belting out song after song from the best known You Can’t stop the Beat finale to the intricate Mama I’m a Big Girl Now and I Know Where I’ve Been.
The show opens in ‘60s Baltimore, Maryland, with ‘gently plump’ schoolgirl Tracy Turnblad (Katie Brace) belting out Good Morning Baltimore with her trademark black flick beehive, observing the flashers, rats and alcoholics before heading home to agoraphobic mum Edna (a drag role played by Alex Bourne) and joke-shop owner dad Wilbur (Norman Pace, yes, the one from Hale and Pace, all you people of a certain age).
photography by Mark Senior
Tracy and her best pal, Penny (Rebecca Jayne-Davies, aforementioned daughter’s favourite actor of the night), tune in their TV to the Corny Collins Show, a teen dance programme, based a on a real, American Bandstand-esque show of the time. Tracy and Penny yearn to get on the show, but detention, mean girl Amber (Jessica Croll) and her pushy TV producer mother Velma (Rebecca Thornhill), plus a massive dollop of classism, racism and body-shaming, look like killing their dream.
photography by Mark Senior
But Tracy bunks off school, meets heartthrob Link (understudy Joshua Pearson did an excellent job on first night) and makes a big impression on show host Corny (Richard Meek), as well as winning the show lots more fans and a plus size clothing contract. Cue loads of amazing costume changes (bravo Takis).
photography by Mark Senior
But Tracy’s stardom is short-lived. With and with the help of Motormouth Maybelle (the extraordinary Brenda Edwards), her kids Seaweed (Reece Richards) and Little Inez (the very talented Charlotte St Croix) and others segregated by their race (despite it being over 100 years since slavery was abolished in the southern states), they storm the show and a riot sees everyone locked up. (Locked up for protesting? How very now…) Cue a race to escape and get everyone live on air for the TV show finale.
photography by Mark Senior
Hairspray the Musical came after John Water’s cult film of 1988, which starred Ricki Lake as Tracy, Debbie Harry as Amber and drag icon Divine (in his last role) as Edna. Waters was to cut through the discrimination of the 60s still evident in the 80s, from racism to gay rights.
Today’s Hairspray does the same, skewering the biases and bigotry with a riotously funny musical. Bourne and Pace have a hilarious chemistry and comic timing as Edna and Wilbur, while Brenda Edwards’ voice during Maybelle’s protest ballad I Know Where I’ve Been moved many to tears – such is her power (and yes, she’s the one off Loose Women, The X-Factor and Songs of Praise). Newcomer Katie Brace as Tracy is a total star – from her voice to her movement and acting with every inch of her face. You also can’t take your eyes off Charlotte St Croix (Little Inez), who I’m confident will be one to watch.
Brenda Edwards as Maybelle
There’s not enough space here to name them all but it’s an incredible cast at the top of their game – from the skill of the dancers on a relatively small stage to the live band who sometimes appear as part of the show – we’re really very lucky to have the Royal and Derngate for these top-of-their-game touring shows.
It WAS great!
Book now if you can, it’s on until Saturday (February 5) with tickets from Derngate Box Office or on 01604 624811.
A small antidote to a rainy Sunday afternoon in the run up to Christmas was spent in the warm and cosy, phone-free stalls of the Royal Theatre, surrounded by pre-school and primary children.
Faye Lord is Mog – all photos by Manuel Harlan
OK, so add in a repetitively screechy cat noise, and some singing, and this might not sound so relaxing, especially if you’ve done your duty in bringing up small children (mine are now all 17 years and over). Slightly masochistic perhaps?
Let me explain: there’s something strangely soothing in being surrounded by captivated, engrossed, under tens and toddlers who are entirely engaged in the fictional action going on on stage. I’ve done enough reviews in the last three decades to know when shows don’t get it right, and kids are distracted and fidgeting. Not so here.
Mrs Thomas (Heather Porte) and the VET (Tom England) with Mog (Faye Lord)
Mog’s Christmas is an adaptation of an earlier show I reviewed back in 2022 by the rather brilliant Bristol-based Wardrobe Ensemble. It’s from Judith’s Kerr’s hugely popular, if a little old-fashioned, Mog the Forgetful Cat books.
There was a lot of déjà vu in the first half hour as it’s a bit of a recap of the previous show with the small cast, expertly narrated through the friendly postman/policeman/ V-E-T (Tom England) and magical musical maestro/actor Daniella Agredo Piper. We’re taken through Mog’s previous escapades through the seasons until we get to Christmas.
The cat noise by the very expressive Faye Lord as Mog can feel a bit grating at first. To be fair, she’s channeling the essence of a feline without any lines except ‘meow’ for the entire show. Pretty impressive to be acting without kneepads too (that might not last for the full run, but then I’m old and my knees wouldn’t last five minutes).
We’re basically reminded of the Thomas family’s sometimes fraught relationship with their per cat. Mog, like all cats, can be annoying and destructive – anyone with a cat who has just put up their Christmas tree can testify to this.
But Mog can also be an unwitting hero, and Christmas isn’t Christmas when the cat goes missing, so cue all sorts of shenanigans to get their pet back in the house in time for the big day. There’s magical snowfall, some menacingly funny trees and a good dollop of singing.
All the kids around us (and even our own 17-year-old) were rapt throughout. You could see parents and grandparents smiling and exchanging glances at each other as the toddlers on knees, pre-schoolers on boosters and primary aged boys and girls were fully engrossed, some calling out to characters. Such is the gift of good theatre, the hour or so flew past.
So if you’d like a break away from the weather, the seasonal stress, and the big noisy ol’ traditional Peter Pan next door in the Derngate, choose Mog. She’s not that bothersome after all.
Mog’s Christmas runs at Royal & Derngate until December 31. Tickets are discounted to £10 for students and under 25s, and there are relaxed, BSL and audio described performances too. Visit here for tickets and information.
Panto has come a long way since I started reviewing back in the 1990s. No more shonky sets and wonky donkeys, it’s all rather stylish on stage at the Royal and Derngate this Christmas. Just remember to take your coat if you’re in the stalls…more of that later on.
Georgia Brierley-Smith as Tink – all photography by Pamela Raith
The old-style curtain has gone and an apparently hi-tech ‘scrim’, a sort of translucent screen that you can project effects onto, makes for a stunning flying-through-the-stars effect for Peter and Not-Wendy.
Maybe it’s a sign of my age but Gordon Cooper’s Dame, Mrs Sweet, had a variety of outrageous costumes that just looked, well, very nicely made and barring the enormous bustles and hats, wearable…just me? Look at the sailor dress, very stylish.
George Webster and Oliver Scott as Charlie and George
Anyway, to the plot: it’s not the Peter Pan you may remember, with the tradition of a girl playing Peter as Sophie Lawrence did, (with David Essex as Hook), back in 2007 at Derngate. Nowadays Peter is a real boy – or in this case, actor and singer David Breeds who just reminded me of a much younger, slimmer Michael McIntyre. (Pretty sure he can belt out a tune better than The Wheel host though).
David Breeds (not Michael McIntyre) is Peter Pan
In The New Adventures of, we meet Poppy Sunshine (Millie Davies), an sweet and adventurous young girl living in an orphanage under the sweet care of Miss Doodle (the excellent Simone Robinson, who doubles up as Myrtle the Mermaid later on. She’s got a huge voice and great stage charisma despite not being a ‘main’ character.)
Poppy (Millie Davies) and Miss Doodle (Simone Robinson)
Listening to Charlie (Oliver Scott) and George (CBeebies’s George Webster) read a bedtime story about Peter Pan’s previous adventures with the Darling children, Poppy dreams of going to Never Never Land and meeting the Lost Boys (and Girls, it’s 2025, for goodness sake).
And so it transpires. Poppy flies off with the lively Tinkerbell (a sparky performance by Georgia Brierley-Smith) to meet Peter, the lost kids and defend mothers, as the ungrateful brats seem to have rather fallen out of love with their previous pretend ‘mother’ Wendy.
Cue pirate baddy Captain Hook (John Thomson, who did a good line in knowing looks, but in places mumbled through the lyrics in his song and dance numbers), a load of dancing shipmates and a lot of slapstick, including a rather laboured scene with Charlie and Mrs Sweet making ‘ice-cream’ which just seems like a way to torture an actor with repeated spurts of shaving foam to the face, (twice a day for matinees). Kids around us seemed to agree, as they started to fidget and lose interest. I’m sure it will evolve as the run gets going.
Georgia Brierley-Smith and Simone Robinson as Tink and Myrtle the Mermaid
There’s plenty for the traditionalists – the ghost bench is back, there’s an audience soaking with water pistols (five rows back, we got pretty soaked), a poor dad got chosen to be Mrs Sweet’s new Mister, and some references to dead brands from the olden days like Blockbuster and Topman which will mean nothing to the young’uns.
But the big early song ‘n’ dance number that grabs their attention is a version of the ubiquitous Golden from K-Pop Demon Hunters which made every under 9-year-old sing along at full volume. In fact the singers are fantastic this year, with Davies, Robinson and Brierley-Smith (Poppy, Myrtle and Tink) belting out the songs (I do hope the vocals stand up to a full month of shows).
There’s a convoluted plot about finding the essence of Christmas and lots of fight scenes and big finale and impressively fast costume changes.
TANAoPP is a decent show with some classy touches in a sea of seasonal theatre – although part of me misses that time the leg fell off the flying unicorn and the flying wire work looked more precarious than polished.
But for families who already have tickets, or anyone who just wants a couple of hours of full-on fun, you’re in for a tasty seasonal treat. Just don’t say I didn’t warn you about keeping your coat handy…
The New Adventures of Peter Pan runs at Royal & Derngate Northampton until Wednesday December 31. Click for tickets or call the box office on 01604 624811
We’re very lucky here in Northampton – with autumn nearly upon us there’s so much good stuff going on we shouldn’t just settle in on the sofa every night.
Case in point – go and see some live theatre. A brand new production of Hugh Whitemore’s acclaimed play Breaking the Code, has opened at Northampton’s Royal & Derngate, running from Thursday 11 to Saturday 27 September, before touring.
The play follows mastermind Alan Turing’s career as a visionary mathematician and codebreaker and examines how society’s attitude towards his sexuality changed the course of his life. Directed by Royal & Derngate’s Artistic Director Jesse Jones as part of the theatre’s Made in Northampton season, for the first time the revival will feature new material that speaks to Turing’s lasting legacy for modern Britain and the development of Turing’s law, with a new epilogue by Neil Bartlett that takes into consideration Turing’s Royal pardon in 2013.
Mastermind. Code breaker. Maverick. Arguably one of the most important and inquisitive minds of the twentieth century. Alan Turing is famed for cracking the Enigma code at Bletchley Park, effectively securing victory for the Allied forces in WWII.
From triumph to tragedy, get to know a human being who loved, lost and never stopped asking questions in a quest for truth and understanding in this new production of Hugh Whitemore’s Breaking the Code.
The role of Alan Turing will be played by Mark Edel-Hunt (Leopoldstadt, West End). The cast also includes Niall Costigan (The Railway Children, Hull Truck Theatre), Joseph Edwards (The Red Shoes, Royal Shakespeare Company), Peter Hamilton Dyer (The Promise, Chichester Festival Theatre), Carla Harrison-Hodge (Cyrano de Bergerac, Jamie Lloyd Company), Susie Trayling (Harry Potter and the Cursed Child, West End), and Joe Usher (Falkland Sound, RSC).
The production is directed by Jesse Jones (Education, Education, Education Royal & Derngate/The Wardrobe Ensemble) with set and costume design by Jonathan Fensom (The Two Popes, Royal & Derngate). Johanna Town (The Comedy About Spies, Mischief/West End) is the lighting designer and Robin Colyer (The King’s Speech, Watermill Theatre) is sound designer and composer. They are joined by Gerrard Martin as movement director, Hannah Miller as casting director and Gemma Boaden as Voice & Dialect Coach.
Breaking the Code takes to the Royal stage from Thursday 11 to Saturday 27 September. Tickets – priced from £15* – can be booked online at http://www.royalandderngate.co.uk/breaking-the-code or by calling Box Office on 01604 624811.
Breaking the Code is a co-production between Royal & Derngate, Northampton, Landmark Theatres and Oxford Playhouse, in association with Liverpool Everyman & Playhouse and HOME.
The Made in Northampton season is sponsored locally by Michael Jones Jeweller.
If you’ve been paying attention at Northampton’s outdoor festivals over the past couple of years then you have probably heard the sound of the Canyons.
It’s a noise that real things make: actual strings and drums shaking the air right in front of you played by a bunch of grizzled old troubadours who look like they have lived the lemons that made this lemonade.
I think of them as The Flaming Travelling Water Wilburys – the point in the tuniverse at which The Flaming Lips crossover with The Waterboys and The Travelling Wilburys.
Who would have thought such a thing was possible, let alone that it should come to pass in our beloved borough? And yet here we are breathing the same air that carries their country blues pop riffs on lazy summer afternoons on the Racecourse, in Beckett’s Park or at The Pomfret.
Their latest outing was Barneyfest in Flore over the weekend but if you missed it there is now a suitably old school way to capture the magic – a new album on CD entitled Garage Palace.
The name is a bit of serendipity. The cover photo on the recording was taken some time ago at Cabourg and the wording was already there, capturing a certain kind of salty no-nonsense romanticism that fits the vibe of the band.
There is a lot of self-deprecating wit running through Garage Palace. In Bodies we hear a story about ‘moving bodies for money’ which in a way, is something that musicians do and in A Night In Pompey the authentic voice of songwriter Stevie Ward shines through: ‘you booked the tickets wrong, I was fucking fuming for a while’.
Meanwhile Burn It Down is old man anger – I don’t mean an angry old man – I mean man anger that would have been recognisable to the perpetrators of the Peasant’s Revolt.
Black Hosannas is a truly chilling invitation to the wedding from hell and one of my favourites but songs like Half Moon and It’s The Living That Kills Us sparkle with uplifting alt-country magic.
You may know the Canyons musicians for other reasons: by day Mr Ward runs the legendary St Giles Cheese and Guy Fletcher teaches at Northampton College.
However if you are interested in finding out more about their musical shenanigans then you can sample Garage Palace below via the Bandcamp app…
As a new BBC documentary airs about the Jesus Army in Northampton, we look at how embedded the church and its followers became in the society of Northamptonshire for decades – updated below.
WHEN we moved house in 2003, me heavily pregnant with our third son, we met the neighbours living in a huge converted dentists’ surgery next door.
There were lots of them living there, from children to pensioners, all living in a communal house with an enormous, well-tended garden. Each Sunday morning, we’d hear them singing hymns – sometimes we’d laugh at the audible contrast of the religious singing with the loud drum & bass blasting out of the hostels at the bottom of the street.
The neighbours at Dayspring, as they’d named the house, seemed welcoming, and mostly quiet – apart from one time when they had their windows smashed overnight. We knew why.
Before we even moved in we knew of them, as both my partner Steve and I, as journalists on the local daily paper, the Northampton Chronicle and Echo, had written numerous stories about them – they were members of the Jesus Army. Most of Northampton knew of them, because it was difficult to live here and not be in contact with the vast organisation that had existed for decades across the town.
The Jesus Army, or JA, seemed to own everything, like a religious multinational corporation, with money and investments everywhere. Big Victorian houses scattered across the area, from Kingsley to Kingsthorpe, Semilong to St James and villages beyond were home to followers. All of whom, we were told, had given up everything, their houses, their salaries, even ownership of their cars and bank accounts, to this huge cult-like organisation. But they looked, if you’ll forgive the clumsy generalisation, like they didn’t have two pennies to rub together. Clothes were second hand, cars were battered, all food was shared.
Yet, the church had huge amounts of money, enough to threaten the newspaper with legal action every time we were about to run a story and asking for their right of reply. If you know how cash-strapped local papers were, you’ll understand why this often made editors reluctant to publish. Their press officer and latterly the safeguarding lead, a man called John Campbell, was the only liaison we had. Noel Stanton, the Jesus Army’s founder, was never available and rumours abounded about his life at New Creation Farm, surrounded by young male acolytes. Campbell had a particular beef about the newspaper calling the Jesus Army a ‘cult’ and regularly threated court action for defamation. But it had all the hallmarks of that definition – a charismatic central leader, extreme devotion to that leader or cause, high pressure recruitment and a tendency to isolate members from the wider world. It all seemed very odd, to outsiders like us, that this organisation seemed to have so much invested in the town without much apparent scrutiny.
Nether Heyford, one older reporter in the newsroom told me, was ‘the village of the damned’ since the Jesus Army had made it another of their bases. As well as the farm, they owned land in Bugbrooke where the church had started, a camping shop called White and Bishop in Northampton, a builders’ merchants called Skaino Services, a wholefood shop, a vehicle repair company, even a jeans shop – their members were recognisable by the large red plastic crosses they wore around their necks or logoed t-shirts. When Steve and I started work at the newspaper in the 1990s, some of the staff were members of the JA, in the on-site printing press they were visible because of the plastic crosses – including van drivers and newspaper vendors who had apparently handed over their worldly possessions to be part of this communal army of non-conforming Christians.
When our kids went to school they became friends with children who lived in Jesus Army houses and they seemed to have a lot more freedom, like being allowed to roam and stay out later than any of ours were, and yet they weren’t allowed to come for tea or stay over. I remember one rainy day going to pick up one of our sons who had been soaked in a downpour with one JA friend, and insisted on putting his friend’s bike in the back of my car and dropping him home because no one from his house was coming to get him. He asked to be dropped a little further up the street than his house on Kettering Road. My son said he didn’t think his family would approve of him being given a lift. He must have been about 11-years-old.
In the mid-1990s, I had a call on the newsdesk from a teenaged girl who wanted to talk about her life in the Jesus Army. She told me how her parents had given up everything and moved into a Jesus Army house with their children when she was very young, and that she’d hated it, and had tried to leave as soon as she was old enough. She was frightened, and spoke of being followed by members of the church’s authorities and threatened for trying to leave, that she’d never be allowed to see her siblings or parents and that she wouldn’t get a job or survive without them. She had left, and had indeed been isolated, and missed her siblings who had stayed in the organisation. I often wonder what happened to her.
There were other stories, all detailed in newspaper clippings, the physical archive of printed stories that the Chron had in rows and rows of filing cabinets, disposed of when the paper moved from its huge Upper Mounts site. There was a story from long before I joined the paper about an incident on a railway line where someone had died, one where someone had died from exposure, another about accusations of sexual abuse.
But still the Jesus Army seemed to be a huge part of the town, eventually buying the enormous Deco Theatre, now known as the Old Savoy. In its heyday it hosted the Beatles and the Rolling Stones, but now was the fellowship’s central Northampton church, even featuring on a documentary with Grayson Perry who created an ornate money box for the National Portrait Gallery after meeting them for a Channel 4 documentary in 2014 called Who Are You? (I watched this again via an academic archive site, as it’s no longer available online and recognised many members, including our neighbours.)
Jon Ronson made an older debate programme with members of the Jesus Army in 1994 which is uncomfortable viewing, even before the church was wound up in 2020, after Stanton’s death in 2009, amid a deluge of accusations about sexual assaults, coercion and abuse.
Jon Ronson’s 1994 discussion with members of the Jesus Army
When we moved next door to one of the many, many Jesus Army houses 21 years ago, we wondered if that’s why our house had been relatively cheap for the time. People were wary of the Jesus Army, but yet here they were, happily and co-operatively living in a welcoming home they had made their own.
Some residents of Dayspring had been living in Semilong for more than a quarter of a century, eating and living communally in this huge house. Some residents had learning difficulties or were elderly or infirm, and were apparently well-cared for by the dayspring ‘family’. The house ‘elder’, was Ralph – women didn’t hold any power in the Jesus Army and the ‘elders’, as far as we could tell, were all male. Ralph was great at fixing things, and we spoke often. He had a wife, and grown-up kids, who were all in the church, but didn’t seem to live at Dayspring, although they visited. We didn’t really understand then that separation of families was not unusual.
Dayspring today
Ralph told us he was fussy about who got to live at Dayspring, as he didn’t want any residents with drug or alcohol issues – despite the Jesus Army targeting homeless and addicted recruits widely, in its enormous double decker bus. I joked with him that it didn’t seem very Christian to reject people, to which he laughed and said that Dayspring wasn’t like some of the other houses.
Part of the Dayspring garden in 2022
There was no doubt that Dayspring became an unofficial source of help for overstretched social services in the area, regularly welcoming in some of Semilong’s transient and sometimes troubled community members, and while people came and went, there were a core of residents who we determined probably would have felt lonely and abandoned without the care of their Jesus Army family. They had summer garden parties, and we chatted to members of the church who had felt compelled to join in times of extreme stress, like the former soldier with PTSD who cut our hedge for free, or the lonely gardener who built a potting shed and grew grapes and runner beans that waved bountifully over our wall each summer.
When the wall came down in 2012
Ralph was the main contact for rebuilding a huge Victorian brick wall that separated our properties, that came down in a huge slab in the night in 2012. For five months our gardens were open to each other as we chipped away, cleaning up bricks and stacking them to be rebuilt. While the residents of Dayspring occasionally helped, they seemed unable to make any decisions without Ralph who gently corralled some into getting involved. We’d had one previous interaction about our properties, when they’d tried to build a new house onto ours, which we’d fought against and won in the planning meeting. There were no hard feelings, as far as we could tell.
We often popped in, to pick up or pass on parcels that either of us had taken in for the others – and I had always been fascinated by the huge murals painted on the walls of one of the living rooms, one depicting the now disgraced Noel Stanton as a literal fisher of men, pulling a man from the water.
One of the Dayspring murals, which appears to feature Noel Stanton as a ‘fisher of men’
When the church was wound up in 2020, after Stanton’s death and hundreds of reports of historic abuse, Dayspring went up for sale, along with other Jesus Army houses across the town, to pay for the millions of pounds for the redress scheme for former members.
Our neighbours, many of whom had lived there for three decades, were devastated, vulnerable and frightened. By summer 2022, they were given notice to leave. One woman who had a disabled daughter and elderly mother, cried as she told me she had no idea where she could go without her daughter being put into care and her mum into a home, as had been suggested by social services.
The vase gifted to Hilary in the Jesus Army house at Dayspring
They had invited me in, one last time, to see the murals on the walls, the packed up boxes and to offer me a striking German-made vase as a gift. Ralph also gave me an enormous metal plant support which stands proudly in my back garden. He was going abroad, furious, he said, at the actions of others who had seen his lifelong faith tested and his ‘family’ dispersed.
Since the residents of Dayspring left, some to other former Jesus Army houses in other parts of the country, some to homes they’d bought with their ‘share’ of the redress scheme, the house has been sold to a developer and has fallen into disrepair, the garden now overgrown and paintwork flaking into the street. It temporarily housed some overseas workers but has lain empty for months, with addicts and dealers the only people who frequent the overgrown alleyway which the Jesus Army kept clear. Some irony here as the Dayspring residents were so opposed to drink and drugs.
There will be much said about the cult of the Jesus Army as a new BBC documentary investigation airs tonight (27/07/25). I can’t be the only resident of Northampton who is conflicted about the demise of the Jesus Army, sad for those vulnerable people who found themselves thrown out by the ‘family’ who many believed saved them, but furious about those who manipulated those same people for their own perversions and to make a hugely rich cult – and it was a cult – who appeared to act without scrutiny by the authorities for so many decades, across the town and beyond.
Screengrab from the BBC documentary on the Jesus Army and Noel Stanton
Inside the Cult of the Jesus Army is available on iPlayer here
UPDATE: Having now seen the BBC documentary in full, I’m left feeling very sad for those innocent people who committed their lives to the Jesus Fellowship, later the Jesus Army, and the ripping apart of their community. But it had to happen and should have happened sooner.
The level of abuse and coercion found by the formal investigation across years is shocking, 539 members accused of abuse, approximately one in six children sexually abused, only 11 people convicted.
The idea that it wasn’t known about until the death of Stanton is misleading – people knewsomething wasn’t right. Some members of the church knew, the police knew, the council knew and the press knew, but ‘knowing something wasn’t right’ and being able to prove something beyond reasonable doubt are very different things. Especially as the church leadership was very rich, very controlling, and very litigious. I don’t believe for a moment all of the ‘rotten apples’ have been dealt with by the law, and there are victims whose lives have been wrecked by their involvement in an organisation they believed was good.
However, the sense of loss for those who had little to do with the leadership of the Jesus Army, except for joint evangelical worship, projects to help those in need and shared housing co-operatives, is still keenly felt.
Some still blame victims who made legitimate and brave reports about what was going on, so blind is their faith in an organisation into which they invested decades of their lives. This is unfair and blinkered, but perhaps not surprising. If you have been taught to have total faith in something you feel transcends everything else, its difficult to admit you were so wrong.
John Everett, a former member who made reports to the Chron back in the 1980s, has spent 40 years unearthing the activities of the Jesus Army and features in the BBC documentary. He has written about how the fellowship started as one of many evangelical Christian communes in the 1970s, focused on peace and love and spirituality. As his book synopsis states: “Sadly, utopian experiments rarely stand the test of time, and the JFC proved no exception.”
Some members of the Jesus Army still miss it very much, and one might argue that beyond those brave victims who came forward to reveal the abuse, there were other innocent people whose lives were torn apart by the behaviour of this cult. They lived as families, supported one another and gave help to many vulnerable people, including food, companionship and signposting to help from authorities. One might even argue today there are people living on the streets, and strangled by addictions, for whom the Jesus Army would have been a lifeline, had they still been operating. But despite all of the good things they did, there is no excuse for the bad, however strong your faith.
The moment George Furbank hit the deck in Cardiff after that ‘rugby incident’ last weekend, I felt a pang of guilt. High up in our seats, in the Gods of the Principality, it looked bad – and even worse on the playback when we got back home, in the dead of night.
It’s not quite the curse of the commentator – but highlighting his return in a headline and then seeing him hit with yet another bit of bad luck made me feel a little sick (probably not as sick as getting a knee to the head, I’ll admit). Thankfully, he’s OK, although obviously on head injury protocols for the foreseeable.
The press call this week was decidedly quieter than the week before – just us locals really, BBC Graham, Chron Tom and I, hanging about in the cold of the stands as the weather literally turned miserable. We got a hearty wave from Henry Pollock going about his business, but probably glad that he was off media duties for at least one session.
Phil Dowson looked like he needed another press conference like a kick in the proverbials, but indulged us as politely as ever. Yes, they were still smarting and subdued from the loss, but had had a nice meal together at Franklin’s Gardens on Sunday.
Yes, Henry is fine, despite all the punch-up palaver in the post-match (Bordeaux’s prop Jefferson Poirot had just given a two-week ban at the time of writing), a couple of players including James Ramm and Craig Wright were having scans, the physio team were pretty flat out doing end-of-season repairs. How would they feel travelling away for one last game?
“Gloucester have a lot to play for, I think George Skivington’s done an incredible job with how they’ve played this season, particularly in attack,” said Dowson.
“We’ve had a frustrating and fragmented season, it feels like we had lots and lots of injuries, lots of times when we didn’t put our best foot forward, and then we got ourselves a good shot in the final of Europe…but yeah, frustrating more than anything else.”
It’s expected that Saints will field a young, but hungry, team to take on the fifth-placed cherry and whites on Saturday, with the likes of scrum half Jonny Weimann champing at the bit to get another decent game under his belt after winning praise from the boss. With Alex Mitchell, Tom James and the recovering Archie MacParland ahead in the pecking order, is it frustrating for the 19-year-old from Bedford not to play more often?
19-year-old scrum-half Jonny Weimann
“It’s a bit of weird one to be fair, after last weekend. But we get our chance to put all the stuff we’ve been working on behind the scenes out on that pitch to hopefully get more game time in the future,” says Weimann.
“I wouldn’t say there was any better club to be at than Saints at the moment. They give young boys opportunities to showcase themselves. If they think you’re good enough, you get thrown in.
“I do get butterflies in the stomach before a game, but then you’ve got to go back to all that you’ve been doing in training and stuff. If you treat training like a game, when the opportunity comes, you just think back on all the work you’ve done and it feels like second nature.
For the whole club, a holiday couldn’t come soon enough. Some of the players are off soon to an (undisclosed) exotic location for a team vacation, while the coaches are due to bond over the Northants Steelbacks 20-20 cricket match on Sunday at the County Ground.
Then it’s back to work in early July for planning and prep for next season. Dowson admits the squad will inevitably change again. Surely, I ask, you don’t want to break up the band again?
“No I don’t, but market forces suggest that at some point it will be, and we’ve got to make some very important decisions about who stays…but at the same time, we have the youngest average age in the league and if we can keep that group together, it’s a very talented squad.”
As the season wraps up away from home and the squad gets some well-deserved rest, I’m sure Northampton will hope for nothing but the best summer for all involved at Cinch Franklin’s Gardens, including all of those behind the scenes as well as the players and coaches. Until next season…come on you Saints!
Gloucester V Northampton kicks off at 3.05 on Saturday May 31 at Kingsholm stadium.
Happy Oak Apple Day fellow Northamptonians, the Mayor has been on top of All Saints Church hanging an oak wreath round the statue of Charles II.
Just like Punxsutawney, USA, is famous for Groundhog Day – immortalised in the film of the same name featuring a weather-predicting groundhog called Punxsutawney Phil – Northampton is not famous for Oak Apple Day because I bet they don’t even know we do this in Rushden let alone Hollywood.
The point of our day is to thank Charles II for helping with rebuilding Northampton after the Great Fire of 1675 which swept from the Vue Cinema to the Grosvenor Centre, claiming 11 lives and destroying 700 of the 850 buildings which were there at the time. If you believe the cinema and the shopping centre were among the buildings which survived then it is not for me to burst the happy bubble you are living in.
With the wreath placed, there were some military manoeuvres from soldiers who would have looked recognisable to Charles II, a service of thanksgiving and some speeches and sermons. The service inside All Saints was broadcast to a crowd that gathered around the church’s piazza.
The Company of Pikemen and Musketeers
A Company LNR, Army Cadet Force, Corps of Drums, marched past and HM Lord-Lieutenant of Northamptonshire, James Saunders Watson, took the salute.
He said: “Oak Apple Day is a deeply significant tradition for Northampton and a poignant reminder of the resilience and generosity that shaped this town’s recovery after the Great Fire of 1675.
“I am honoured to take part in this year’s ceremony, which not only commemorates the extraordinary support of King Charles II but also brings our community together to reflect on our rich history. As we mark the 350th anniversary of the Great Fire, it is more important than ever to honour these traditions and pass them on to future generations.”
In the absence of the monarch, the Lord Lieutenant represents the King in the county, like a living postage stamp or Royal seal of approval.
Placing the wreath, high above All Saints piazza, was the Mayor of Northampton, Councillor Jane Birch.
She said: “Oak Apple Day is a historic event which we have honoured for many hundreds of years and marks a significant moment in Northampton’s history – the Great Fire destroyed 700 of the 850 buildings in the town, so without the generosity of Charles II, we would not have the town we see today.
“As a council we believe it is important to keep Northampton’s historic traditions alive and everyone is welcome to come along and be a part of this unique ceremony.
“We are also excited to be partnering with Northampton Town Centre Business Improvement District (BID) and West Northamptonshire Council, along with local cultural and historical groups, to deliver a five-month programme of events that tell the story of the fire and the rebuild that followed.”
I’m impressed that she did not mention the height above the ground that the wreath placing ceremony occurs. If it had been me – well I’m just not sure you could have got me up there.
I have been asking people a question about all this and I have not had a satisfactory answer so far… why is it called Oak Apple Day?
The answer that comes back is that Charles II, fleeing roundhead soldiers in the bad old days, hid in an oak tree before making his escape. After a few years of being ruled by dour East Anglian farmer Oliver Cromwell in 1670 we gave the Stuart family their old jobs back and on May 29 Charles took the throne.
Five years later the wooden walls of Northampton (the town that hosted Cromwell the night before he beat Charles’ dad once and for all) went up in flames and the Earl of Northampton pleaded with the king for help. Charles II was not petty about it at all. He sent 1000 tons of Oak and halved our taxes for seven years, even though we supplied Cromwell’s army with their kinky boots.
Hence every year, ever since, Oak Apple Day happens. But what is the Apple part? Does it mean that Charles is like an apple produced by an oak tree? Like a miracle? Would that be a miracle? Could you graft an apple tree onto an oak and have it produce apples? Or is the apple of the oak, an acorn? I am the kind of person who if I was an acorn I would describe myself as an oak apple. It would start out as a joke but I would be too stubborn to let it go.
The update to the story is that when Windsor Castle caught fire Tony Clarke and John Dickie of the Labour administration on Northampton Borough Council offered the Queen a thousand tons of oak from Delapre to help rebuild, not necessarily expecting to be taken up on the offer. The Queen was delighted to accept so the really beautiful thing is we’re just doing Oak Apple Day out of the kindness of our hearts now.
Northampton Town Council has created an app which offers a virtual reality guide to the Great Fire of Northampton on your smartphone. Scan the QR code below to find and download the app.
So he’s back. George Furbank, Northampton’s quiet but deadly full-back is starting for Saints in the European final against Bordeaux Bègles today (May 24).
As coach, car and trainloads of Saints fans will be excitedly making their way to the Principality Stadium, or various enterprising pubs and clubs in Northampton showing the game, the team will be focussing, resetting the determination and resilience which has seen them see off all comers on their path to the final. They might have had a bumpy time in the Prem this season, but my word, wouldn’t it be nice to be the best in Europe anyway?
England international 15 Furbank has been out since April, a niggle with the still-recovering arm he broke against Bulls at the end of the year curtailing his season and apparently his chance with the Lions. So it was perhaps a surprise to see him on that team sheet.
George Furbank
But Phil Dowson and Sam Vesty, Saint’s dynamic coaching duo, who have created a genuinely fun and fizzing base at Cinch Franklins’ Gardens, must have decided after this week’s ‘wait-and-see-how-training-goes’, that it actually went rather well.
Well enough for Furbank, as well as previous injury doubtfuls Curtis Langdon, Alex Coles and James Ramm, all of whom took knocks last week, to be included in the starting line-up, along with meaty winger Ollie Sleightholme, who has been added to the bench after a long layoff.
Henry Pollock – Saints’ youngster starts All photos by Hilary Scott
Tuesday’s presser – where players and coaches present themselves for interrogation by the local and national media – had a different vibe about it. Some of those reporters (not the NQ, of course) who had expressed doubts about Saints’ progress at the pre-Leinster presser, seemed far more positive, and dare I say hopeful, that this team, the last Premiership club left in the competition since before the Quarters, could bring it home.
“What we talk about is a regular performance on a very special occasion,” Dowson said. “Can we perform in terms of how hard we work, how quickly we get into our shape, how hard we defend, you know, all those sorts of things that are key to the fundamentals of our game?
Alex Mitchell starts at scrum half
“Can we do those under massive pressure? We don’t then want to make a huge song and dance about it. There have been huge distractions – one of them is the media, one is the travel, one is a different stadium with a roof, one of them is the expectation of playing in the final. So we want to normalise that but we also want to make sure we enjoy the opportunity.”
Rumours abound about the Principality’s retractable roof, and back in January it was announced the roof would stay shut for two years – creating a high sided, slightly muggy caldron of a neutral setting for the final against Bordeaux.
“It does get quite close, you know, quite clammy,” says Dowson, “it’s a different atmosphere, but when you’re running around and the crowd go nuts, it’s hard to replicate.”
There’s been plenty said elsewhere about how good the French side are, how they have superstars like Damian Penaud and Louis Bielle-Biarrey, Moefana, Maxime Lucu…how they’ve scored more than everyone else and yeah, well, Saints are pretty impressive too. They both play fast, Saints will need to score quickly, and defend hard. But that’s what you’d expect in a final, non? Joue!
Staying cool – Saints’ Fraser Dingwall will captain the side in the final
Twenty five years after Northampton last won the European Cup, can they do it again? Thousands of the travelling green, black and gold faithful, hoping to flood Cardiff with colour, plus a fair few more back home in Northampton, will certainly hope so.
Here’s to a great day of rugby. See you there… Come on You Saints!
Northampton v Bordeaux Begles in the Investec Champions Cup Final kicks off at 2.45 Saturday May 24. Coverage on Premier Sports 1, S4C on iPlayer and YouTube.
Northampton is gearing up for a summer of commemorative events to mark the 350th anniversary of the Great Fire of Northampton. Community groups and organisations are being encouraged to get involved to deliver a series of unforgettable experiences for the community. Faiz Hafidh looks at the history of the event and how you can get involved in commemorating it this year.
Northamptonshire Before the Fire: Setting the Scene
Northampton was a small town of about 700 – 800 households, estimated to be 4,500 people in 1675, with most of the houses being made of timber and thatch. Known for its traditions of being strongly anti-authoritarian and supporting Parliament during the First English Civil War before the Battle of Naseby on June 14, 1645. The town was governed by an Assembly consisting of the Mayor John Agutter and burgesses that operated as a borough council. The Assembly had previously had to overcome other crises, such as the plague, with members having to be aware of fires elsewhere, such as the Great Fire in London.
There was no organised fire brigade at the time, but leather buckets had been provided in key areas to use in emergencies. However, there was no expertise in firefighting.
The Fire
On September 20, 1675, at 4 pm, unusual westerly winds caused sparks from an event taking place in St Mary’s Street to blow the flames towards the centre of town, where the flames spread.
People initially salvaged their belongings by stacking them against the wooden market cross, but it later got engulfed by the flames which were travelling across the town. Some survived by taking refuge in the stone-built Welsh House which is now Zapato Lounge.
The fire devastated large sections of Northampton due to the buildings mainly consisting of timber, destroying places such as the Market Square, Bridge Street, Abington Street, St Giles Street and All Saints Church. The fire claimed the lives of 11 people.
After the Fire
The event caused catastrophic losses, with it devastating three quarters of the town, laying waste to businesses, homes and people’s livelihoods. Over 700 families were left homeless. Within a week, the Assembly started planning and making orders for work that was needed immediately, offering aid to those who had suffered from the losses of their homes and possessions, including the provision of wooden sheds.
Rebuilding the Town
Rebuilding was the only option for the locals with King Charles II donating to the struggling town and issuing a proclamation in November 1675 allowing the collection of money from across the country. The work created opportunities for the labouring and artisan classes. The Assembly encouraged the use of stone instead of wood. An act of parliament for assisting the “rebuilding the town of Northampton” was passed at the end of 1675. The town raised £25,000 to fund reconstruction. Some of the buildings from the 1670s still exist, such as Sessions House and All Saints, creating the building blocks of the Northampton you know today out of the ashes of disaster.
How this event is remembered
In remembrance of the event, Northampton Town Centre BID, Northampton Town council and West Northamptonshire Council are working together to tell the story of the great fire and the rebuilding efforts. On Thursday the May 29, 2025, the commemoration events will be launched alongside the Oak Apple Day parade and service at All Saints Church. They include the annual hanging of an oak wreath in honour of King Charles II who donated 1,000 tonnes of timber to assist in the rebuilding of the town.
There will be a Mystery Tour on Saturday May 31 themed around the fire. In the Market Square creative space there will be activities asking What Is Northampton Made Of? throughout the summer, from Tuesdays to Saturdays. There is an exhibition at 78 Derngate focusing on the architectural changes to Northampton after the great fire throughout June. Northamptonshire Museum and Art Gallery will also be hosting an exhibition about the fire throughout the summer. At The Deco Theatre there is an event called Northampton Remembers on September 14, when community groups will come together to celebrate the town’s resilience after the disaster. On July 4 10am to 3pm there is a symposium on the fire at University of Northampton.
Northampton College students have been working to create a mural at the Grosvenor Centre in Northampton.
There will be exhibitions at the museum and numerous events based around activities in the Market Square. Elements of the carnival with also reflect the Great Fire commemoration.
“We are working with a multitude of partners and those events that are taking place will be really broad. There will be multiple activities appealing to different audiences,” said Mark Owen of Northampton BID.